Bride of the Wind

• british
• romance
• dragonslayer
• virginia
• unwanted marriage

The daughter of a wealthy Virginia planter, innocent Rose Woodbine curses cruel fate for leading her to the court of the British King Charles -- and into an unwanted marriage with handsome and dangerous Lord Pierce Deforte, a man she dares never love.

His soul searing desire for the stunning Rose had once blinded Pierce to the treacherous machinations of his enemies. Now banished from his beloved England, he lives the life of a pirate -- seeking vengeance on those who betrayed him... including the beautiful temptress whom he once held dear. On a storm-tossed sea they are united once more -- he, no longer a noble, but the notorious brigand called Dragonslayer. And she, one his bride, is now his helpless prisoner -- forced to submit to his fury, his will...and the blistering, sensuous need that chains h! er captive heart.

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Hannah Takes the Stairs

• Hannah, a restless college grad, spends a hot Chicago summer trying to figure it all out. Full of ambition and indecision, she'll try to find a crush who can keep up with her and a project that will keep her stimulated, but she may just leave a trail of broken hearts. Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 796019809610 UPC: 796019809610 Manufacturer No

Hannah, a recent college graduate, spends a brutally hot Chicago summer falling in and out of love. As she struggles to find personal and professional fulfullment through various relationships with friends and co-workers, she leaves destruction in her wake. Outstanding casts of rising indie film stars create an intimate look at friendship, ambition and th pursuit of happiness.

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The Road to Bonneville

• Feature Run Time: 61 Minutes
• + Over 45 minutes of Bonus Footage

Faced with the decision of a lifetime, Arvilla Holden (Jessica Lange) hijacks her two best friends (Kathy Bates, Joan Allen) and sets off in a vintage '66 Bonneville convertible across the great American West to deliver her husband’s ashes to her step-daughter. What begins as a simple trip, will end up becoming a chance to rediscover themselves, their friendship, the importance of promises - and of living life to the fullest.Sentimental, but not too sugary, Bonneville proves there's a road movie for every taste and demographic. While the testosterone-fueled Easy Rider took aim at the young and the disaffected, this female-centric offering targets a more mature, less cynical audience. After her husband, Joe, passes away, Arvilla (two-time Oscar winner Jessica Lange) faces the prospect of homelessness as he ! neglected to update his will. Her single-minded stepdaughter, Francine (Christine Baranski), now in possession of the property, intends to sell their Pocatello home if she doesn't hand over her father's ashes, so Arvilla and Mormon best friends Margene (Kathy Bates) and Carol (Joan Allen) pile into Joe's refurbished 1966 Bonneville Pontiac convertible with the urn and head to Santa Barbara. On their trip through Bryce Canyon, Lake Powell, the Vegas Strip, and other Western wonders, they meet helpful skateboarder Bo (Victor Rasuk, Raising Victor Vargas) and chivalrous trucker Emmett (Tom Skerritt), who takes a shine to the widowed Margene. Though nothing goes quite as planned, friendship helps smooth the bumpy ride from Idaho to California--and beyond. The characters in Bonneville may be older and wiser than the women of Thelma and Louise or Fried Green Tomatoes, in which Bates appeared, but this smaller-scale effort shares the same sisterly value! s and the central trio establishes a touching rapport. Supplem! ents inc lude a making-of featurette, deleted and alternate scenes, and a short gag reel. --Kathleen C. Fennessy

Beyond Bonneville on DVD

Watch Little Miss Sunshine on DVD

Check out Imagine Me & You on DVD

Stills from Bonneville (Click for larger image)

!

Join hot rod builder and filmmaker Brian Darwas as he rides shot gun with two of the most significantly influential hot rod builders of this generation for an epic cross country adventure that you will want to experience again and again. You've heard the stories and you've seen the photographs, but now for the first time you can ride along side of Ken Schmidt and Keith Cornell of The Rolling Bones as they travel over 2,300 miles, through ten states from New York to Nevada in their famous 1932 Ford Coupes, "The Wicked Sisters." Pit next to The Hop Up Race Team and The Bean Bandits at what most people consider to be the birth place of hot rodding, The Bonneville Salt Flats. Watch Dan Parker and the other members of The Rolling Bones Race Team hit the salt for Speed Week. Get on the ground with Keith Cornell while he swaps the gears out of a vintage Halibrand rear and stand next to Ken Schmidt as he gets under the hood to re-jet carbs between runs! Peer over the shoulder of renown hot rod photographer Peter Vincent while he shoots two of the world's most beautiful hot rods in one of the world's most beautiful settings, and witness The Rolling Bones hop in George Poteet's '32 roadster and hit speeds of up to 175 miles per hour! Get an in depth look inside the shop at Greenfield Center in New York. Go down to the Maxton Monster Mile in North Carolina for a test run, and travel all the way across the country to Bonneville for the time trails at Speed Week. This film is a true lesson in hot rodding that is not to be missed! - Feature run time approx. 61 minutes + over 45 minutes of bonus features! -

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Act of God

• This particular album has all the elements I've come to expect from acapella, great voices, good lyrics, and catchy tunes that are uplifting, sad, and comforting.

Track Listings 1. He's Gonna Let You Know 2. Get To The Point 3. Act Of God 4. House Of Praise 5. And They Praise God 6. Gotta Grow Up 7. Let There Be Love 8. Teaching The Truth In Love 9. Let's Show And Tell 10. Walking The Line

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Eden Lake

• EDEN LAKE (DVD MOVIE)

Like a bad dream turned worst nightmare, Eden Lake is a "relentlessly tense and immaculately paced" (Twitch Film) horror-thriller about modern youth gone wild. When a young couple goes to a remote wooded lake for a romantic getaway, their quiet weekend is shattered by an aggressive group of local kids. Rowdiness quickly turns to rage as the teens terrorize the couple in unimaginable ways, and a weekend outing becomes a bloody battle for survival. Eden Lake is "fierce, thought-provoking ... and genuinely shocking" (Time Out London).British director James Watkins’s directorial debut is an overtly moralistic thriller centering around a couple who are trapped and taunted lakeside by a gang of teenage bullies, led by a boy named Brett (Jack O’Connell). Warning signs to stay out of this camping area abound, in the spirit of myriad camping-trip-gone-awry tales, like the cla! ssic Friday the 13th. The challenge, here, is to subvert those warning signs in order to harness some minor sympathy for the alleged victims to be. However, Steve (Michael Fassbender) and Jenny (Kelly Reilly) are too wrapped up in puppy love to turn around, even when their GPS signal advises them to do so. As a gang of wayward kids pick fights with Steve and Kelly, the couple attempts escape... at first. But Steve’s desire for revenge impels him to search for the delinquents’ parents, which becomes the couple’s downfall. A good portion of Eden Lake is devoted to the chase, during which Steve and Kelly look increasingly swampy under caked on layers of blood and mud. These scenes are well done, fast-paced, and here, enacting fear, Kelly Reilly is at her best. But as the film progresses, one sees so many connections between the teens’ violence and the abhorrent behavior of their parents, that Eden Lake leaves no character interpretation up to the v! iewer. Yes, bad parents usually make bad teens. But a deeper i! nvestiga tion into Brett’s inner mind, or his ability to follow through with torture and the sadistic control he exhibits over his gang, would result in less obvious, and possibly more interesting explanations for criminal action. Though many Dimension Extreme films are cutting edge in the horror genre (see Inside), Eden Lake is not one of them. --Trinie Dalton

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Ghost in the Shell: Anime Legends 2nd Gig

• Condition: New
• Format: DVD
• Animated; Color; DVD; NTSC

GHOST IN THE SHELL - DVD MovieThe skillful blending of drawn animation and computer-generated imagery excited anime fans when this science fiction mystery was released in 1995: many enthusiasts believe Ghost suggests what the future of anime will be, at least in the short term. The film is set in the not-too-distant future, when an unnamed government uses lifelike cyborgs or "enhanced" humans for undercover work. One of the key cyborgs is The Major, Motoko Kusanagi, who resembles a cross between The Terminator and a Playboy centerfold. She finds herself caught up in a tangled web of espionage and counterespionage as she searches for the mysterious superhacker known as "The Puppet Master."

Mamoru Oshii directs with a staccato rhythm, alternating sequences of rapid-fire action (car chases, gun battles, explosions) ! with static dialogue scenes that allow the characters to sort out the vaguely mystical and rather convoluted plot. Kusanagi's final quote from I Corinthians suggests that electronic evolution may compliment and eventually supplant organic evolution. The minor nudity, profanity, and considerable violence would earn Ghost in the Shell at least a PG rating. --Charles SolomonThe skillful blending of drawn animation and computer-generated imagery excited anime fans when this science fiction mystery was released in 1995: many enthusiasts believe Ghost suggests what the future of anime will be, at least in the short term. The film is set in the not-too-distant future, when an unnamed government uses lifelike cyborgs or "enhanced" humans for undercover work. One of the key cyborgs is The Major, Motoko Kusanagi, who resembles a cross between The Terminator and a Playboy centerfold. She finds herself caught up in a tangled web of espionage and counterespionage as! she searches for the mysterious superhacker known as "The Pup! pet Mast er."

Mamoru Oshii directs with a staccato rhythm, alternating sequences of rapid-fire action (car chases, gun battles, explosions) with static dialogue scenes that allow the characters to sort out the vaguely mystical and rather convoluted plot. Kusanagi's final quote from I Corinthians suggests that electronic evolution may compliment and eventually supplant organic evolution. The minor nudity, profanity, and considerable violence would earn Ghost in the Shell at least a PG rating. --Charles SolomonThe Smash First Season Anime Extravaganza in one complete set.

Major Motoko Kusanagi is a beautiful but deadly cyborg that is squad leader of Section 9; the Japanese government's clandestine unit assigned to battle terrorism and cyber warfare. Surrounded by an expertly trained team, Motoko faces her ultimate challenge- the Laughing Man- a terrorist who orchestrated a kidnapping and extortion plot many years ago and has suddenly reappeared. In order to! discover the identity of this enigmatic criminal, Motoko and Section 9 are drawn into a deadly labyrinth and they'll have to use all their expertise to survive. This acclaimed anime series from Production I.G (Kill Bill) and features the amazing music if Yoko Kanno (Cowboy Behop) with stories by Kenji Kamiyama (Blood, Jin-Roh) and Dai Soto (Eureka SeveN).Studio: Starz/sphe Release Date: 09/15/2009 Run time: 660 minutes

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The Big Bad Swim

• An adult swim sets the stage for this charming comedy-drama about love, loss, and second chances. Three strangers inextricably connected through personal heartbreak find themselves entering deep water as they learn that life isn't always about diving right in it's about getting your feet wet once in awhile. Starring Jeff Branson (TV's All My Children) and Paget Brewster (TV's Criminal Minds).Not R

Elizabeth Halsey (Cameron Diaz) is a foulmouthed, ruthless, and inappropriate teacher. She drinks, gets high, and can’t wait to marry a meal ticket to get out of her bogus day job. When she’s dumped by her fiancé, she sets her sights on a rich, handsome substitute (Justin Timberlake) while shrugging off the advances of the school gym teacher (Jason Segel). The consequences of her wild and outrageous schemes give her students, coworkers, and even herself an education like no other! As any kid w! ho's ever forcibly shot milk through their nasal passages can testify, the key to a great gross joke isn't so much the content as it is the delivery. The proudly crass Bad Teacher certainly has great big gobs of greasy, grimy potential, chief among them its central performance by an exceedingly game Cameron Diaz, but it occasionally fails to nail the dismount. This film from director Jake Kasdan (Walk Hard: The Dewey Cox Story) is exactly what the title says: after getting dumped by her rich boyfriend, a lying, cheating, and perpetually boozing middle-school teacher (Diaz) hatches a scheme to con her school out of enough money to pay for cosmetic surgery, while squaring off against the aggressively cheerful teacher across the hall (a very funny Lucy Punch). Lessons are not learned, thankfully. Although the title and attitude recall the effortlessly filthy Bad Santa, Bad Teacher feels more like a spiritual sequel to Diaz's earlier Sweetest Thin! g, a women-can-be-gross-too comedy that spent more time co! ngratula ting itself on how far it was willing to go instead of actually going there. While Bad Teacher certainly has its number of belly laughs and worthy outrages (particularly during a hilariously awkward love scene between Diaz and a nerded-up Justin Timberlake), it's hard not to end up with a general feeling of missed opportunities. Too often, it toes the bad-taste line, when it should be jumping over it with a rocket cycle. --Andrew WrightSee dvd for synopsis Studio: Sony Pictures Home Ent Release Date: 10/18/2011 Run time: 98 minutes Rating: Pg13As any kid who's ever forcibly shot milk through their nasal passages can testify, the key to a great gross joke isn't so much the content as it is the delivery. The proudly crass Bad Teacher certainly has great big gobs of greasy, grimy potential, chief among them its central performance by an exceedingly game Cameron Diaz, but it occasionally fails to nail the dismount. This film from director Jake Kasdan (Walk Hard: The Dewey Cox Story) is exactly what the title says: after getting dumped by her rich boyfriend, a lying, cheating, and perpetually boozing middle-school teacher (Diaz) hatches a scheme to con her school out of enough money to pay for cosmetic surgery, while squaring off against the aggressively cheerful teacher across the hall (a very funny Lucy Punch). Lessons are not learned, thankfully. Although the title and attitude recall the effortlessly filthy Bad Santa, Bad Teacher feels more like a spiritual sequel to Diaz's earlier Sweetest Thing, a women-can-be-gross-too comedy that spent more time congratulating itself on how far it was willing to go instead of actually going there. While Bad Teacher certainly has its number of belly laughs and worthy outrages (particularly during a hilariously awkward love scene between Diaz and a nerded-up Justin Timberlake), it's hard not to end up with a general feeling of missed opportunities. T! oo often, it toes the bad-taste line, when it should be jumpin! g over i t with a rocket cycle. --Andrew WrightElizabeth Halsey (Cameron Diaz) is a foulmouthed, ruthless, and inappropriate teacher. She drinks, gets high, and can’t wait to marry a meal ticket to get out of her bogus day job. When she’s dumped by her fiancé, she sets her sights on a rich, handsome substitute (Justin Timberlake) while shrugging off the advances of the school gym teacher (Jason Segel). The consequences of her wild and outrageous schemes give her students, coworkers, and even herself an education like no other!As any kid who's ever forcibly shot milk through their nasal passages can testify, the key to a great gross joke isn't so much the content as it is the delivery. The proudly crass Bad Teacher certainly has great big gobs of greasy, grimy potential, chief among them its central performance by an exceedingly game Cameron Diaz, but it occasionally fails to nail the dismount. This film from director Jake Kasdan (Walk Hard: The Dewey Cox Story) is exactly what the title says: after getting dumped by her rich boyfriend, a lying, cheating, and perpetually boozing middle-school teacher (Diaz) hatches a scheme to con her school out of enough money to pay for cosmetic surgery, while squaring off against the aggressively cheerful teacher across the hall (a very funny Lucy Punch). Lessons are not learned, thankfully. Although the title and attitude recall the effortlessly filthy Bad Santa, Bad Teacher feels more like a spiritual sequel to Diaz's earlier Sweetest Thing, a women-can-be-gross-too comedy that spent more time congratulating itself on how far it was willing to go instead of actually going there. While Bad Teacher certainly has its number of belly laughs and worthy outrages (particularly during a hilariously awkward love scene between Diaz and a nerded-up Justin Timberlake), it's hard not to end up with a general feeling of missed opportunities. Too often, it toes the bad-taste l! ine, when it should be jumping over it with a rocket cycle. --Andre w WrightA sexually-charge comedy about love, loss, and second chances. Audience Award Best Feature Film Winner at the Tallgrass Film Festival. Best American Independent Winner at the Fort Lauderdale International Film Festival. Best Feature Film Winner ath the Annapolis Film Festival. Bonus Features include: Filmmaker's Commentary, Cinematographer's Video Journal, and Deleted Scenes.

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Hidalgo (Full Screen Edition)

• A sandstorm of epic proportions. A swarm of locusts so massive it obliterates the relentless sun. Deadly traps that defy imagination. These are just a few of the astonishing obstacles Frank T. Hopkins, the greatest long-distance racer ever, faces in the rousing action-adventure HIDALGO. Based on a true story and starring Viggo Mortensen (THE LORD OF THE RINGS Trilogy), Hopkins (Mortensen) and his

A sandstorm of epic proportions. A swarm of locusts so massive it obliterates the relentless sun. Deadly traps that defy imagination. These are just a few of the astonishing obstacles Frank T. Hopkins, the greatest long-distance racer ever, faces in the rousing action-adventure HIDALGO. Based on a true story and starring Viggo Mortensen (THE LORD OF THE RINGS Trilogy), Hopkins (Mortensen) and his mustang Hidalgo enter the ultimate extreme sport of its time -- the Ocean Of Fire. Underdogs challenging ! the finest Arabian horses and riders, they must not only survive the grueling race across 3,000 miles of the Arabian Desert’s punishing terrain, but they must thwart the evil plots of competitors who vow victory at all costs! A great story of personal triumph, amazing special effects, and memorable characters make HIDALGO one of the most thrilling adventures ever.Director Joe Johnston has always had an entertaining sense of adventure, and with Hidalgo he proves it in spades. It's yet another underrated film for Johnston (along with such enjoyable popcorn flicks as The Rocketeer and Jurassic Park III), dismissed by many critics but a welcome treat for anyone drawn to good ol'-fashioned movie excitement. In his first role since playing Aragorn in the Lord of the Rings trilogy, Viggo Mortensen brings handsome appeal to his low-key portrayal of Frank T. Hopkins, a real-life long-distance horse racer who, as the movie opens, has witnessed the appall! ing massacre of Native Americans at Wounded Knee in 1890. Drif! ting int o Buffalo Bill's Wild West Show, he agrees to compete, with his trusty mustang, Hidalgo, in "The Ocean of Fire," a treacherous 3,000-mile horse race across the Arabian desert. Toss in a bunch of conspiring competitors, a noble sheik (Omar Sharif), his lovely daughter (Zuleikha Robinson), and enough fast-paced danger to fill 133 minutes, and you've got a rousing, humorous, and lightly spiritual adventure that's a lot of fun to watch. It hardly matters that it's almost pure fiction (the real Hopkins was known by many as "a pathological liar"). More important is the love of movies and moviemaking that Johnston so delightfully conveys. --Jeff Shannon

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Disney / Pixar CARS 2 Movie Exclusive PVC 10Pack Deluxe Figurine Playset

• Lightning McQueen
• Francesco Bernoulli
• Nigel Gearsley
• Shu Todorki
• Warning: Wheels Do Not Move

Cars 2 Figure Play Set Get every play time off to a racing start with this 10 piece Deluxe Disney Cars 2 Figure Play Set. Lightning McQueen is here along with all of his arch rivals so your young speedster will be on track for lots of fast action thrills! This is a pvc play set. Features Lightning McQueen Carla Veloso Francesco Bernoulli Jeff Gorvette Shu Todorki Lewis Hamilton Max Schnell Miguel Camino Nigel Gearsley Raoul Caroule

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Halloween (Two-Disc Unrated Collector's Edition) [Blu-ray]

• Rob Zombie (The Devil's Rejects), "modern American horror's most eccentric and surprising filmmaker," (Matt Zoller Seitz, New York Times) reinvents the ultimate slasheric, unleashing Michael Myers for a bloody rollercoaster of a rampage like fans have never seen. Including a retelling of the original story that unfolds at a breakneck pace, as well as a chilling new introduction that finally reveal

The original slasher film about Michael Myers, the psychotic killer who dons a mask and terrorizes his hometown, is re-imagined by edgy director Rob Zombie.More of a supercharged revamp than a remake, Rob Zombie's take on John Carpenter's Halloween expands the back story of masked killer Michael Myers in an attempt to examine the motivation for his first deadly attack, as well as some reasons for his longevity as a horror icon. Zombie's Myers is a blank-eyed teen (played by Daeg Faerch) wh! ose burgeoning mental problems are left unchecked in a horrific home environment; harassed by schoolmates, a randy sister, and his mother's deadbeat boyfriend (William Forsythe, terrific as usual), Myers' homicidal explosion seems inevitable, and intervention by Dr. Sam Loomis (Malcolm McDowell, who offers a fast-talking, hippiefied version of the Donald Pleasance character) does little to impede his development into a mute, unstoppable killing machine (Tyler Mane) bent on finishing off the only survivor of his family's massacre--his sister, now grown into teenaged Laurie Strode (Scout Taylor-Compton). Opening up the psychological motivation of a cipher like Michael Myers is an interesting approach, but Zombie's script possesses neither a depth of character nor dialogue to offer more than a clichéd thumbnail character sketch, and devoting over a hour of the unrated cut's 120-minute-plus running time to this history feels bloated and self-indulgent (especially when compared! to the lean efficiency of the Carpenter original). Zombie's Hallow een isn't terribly suspenseful, either; he has a keen eye for visuals and the details of chaotic environments, but his scares are nothing more than brutal showcases for his special effects team. The end result barely surpasses the original film's numerous sequels, though the Who's Who of cult and character actors in the cast (including Zombie regulars Sid Haig, Bill Moseley and Ken Foree, as well as Brad Dourif, Udo Kier, Clint Howard, Richard Lynch, Danny Trejo, Dee Wallace, and Danielle Harris) adds a touch of late-night monster movie charm. However, the film's best performance belongs to the director's spouse, Sheri Moon Zombie, who brings unexpected pathos to the role of Myers' downtrodden mother.

The two-disc Unrated Director's Cut offers a full disc's worth of extras that should please Zombie fans; chief among the supplemental features is his commentary, which details the film's shooting history and the numerous edits required to deliver the theatrical version! . A making-of featurette offers further details of Zombie's vision for the film, and there are featurettes on his cast choices and the many masks that Myers makes while incarcerated. Seventeen deleted scenes (two of which feature Adrienne Barbeau and Tom Towles) and an alternate ending (all with Zombie's commentary) are also provided, as well as footage from the casting sessions. A blooper reel, which is highlighted by unchecked mischief by McDowell and Dourif, offers the set's sole moment of levity. -- Paul GaitaRob Zombie (The Devil's Rejects), "modern American horror's most eccentric and surprising filmmaker," (Matt Zoller Seitz, New York Times) reinvents the ultimate slasher classic, unleashing Michael Myers for a bloody rollercoaster of a rampage like fans have never seen. Including a retelling of the original story that unfolds at a breakneck pace, as well as a chilling new introduction that finally reveals the secrets behind Myers' disturbing childhood, Hallow! een breathes new life into one of film history's most terrifyi! ng tales . "It will leave you speechless" (Spooky Dan, Bloody-Disgusting).More of a supercharged revamp than a remake, Rob Zombie's take on John Carpenter's Halloween expands the back story of masked killer Michael Myers in an attempt to examine the motivation for his first deadly attack, as well as some reasons for his longevity as a horror icon. Zombie's Myers is a blank-eyed teen (played by Daeg Faerch) whose burgeoning mental problems are left unchecked in a horrific home environment; harassed by schoolmates, a randy sister, and his mother's deadbeat boyfriend (William Forsythe, terrific as usual), Myers' homicidal explosion seems inevitable, and intervention by Dr. Sam Loomis (Malcolm McDowell, who offers a fast-talking, hippiefied version of the Donald Pleasance character) does little to impede his development into a mute, unstoppable killing machine (Tyler Mane) bent on finishing off the only survivor of his family's massacre--his sister, now grown into teenaged Laurie ! Strode (Scout Taylor-Compton). Opening up the psychological motivation of a cipher like Michael Myers is an interesting approach, but Zombie's script possesses neither a depth of character nor dialogue to offer more than a clichéd thumbnail character sketch, and devoting over a hour of the unrated cut's 120-minute-plus running time to this history feels bloated and self-indulgent (especially when compared to the lean efficiency of the Carpenter original). Zombie's Halloween isn't terribly suspenseful, either; he has a keen eye for visuals and the details of chaotic environments, but his scares are nothing more than brutal showcases for his special effects team. The end result barely surpasses the original film's numerous sequels, though the Who's Who of cult and character actors in the cast (including Zombie regulars Sid Haig, Bill Moseley and Ken Foree, as well as Brad Dourif, Udo Kier, Clint Howard, Richard Lynch, Danny Trejo, Dee Wallace, and Danielle Harris) add! s a touch of late-night monster movie charm. However, the film! 's best performance belongs to the director's spouse, Sheri Moon Zombie, who brings unexpected pathos to the role of Myers' downtrodden mother.

The two-disc Unrated Director's Cut offers a full disc's worth of extras that should please Zombie fans; chief among the supplemental features is his commentary, which details the film's shooting history and the numerous edits required to deliver the theatrical version. A making-of featurette offers further details of Zombie's vision for the film, and there are featurettes on his cast choices and the many masks that Myers makes while incarcerated. Seventeen deleted scenes (two of which feature Adrienne Barbeau and Tom Towles) and an alternate ending (all with Zombie's commentary) are also provided, as well as footage from the casting sessions. A blooper reel, which is highlighted by unchecked mischief by McDowell and Dourif, offers the set's sole moment of levity. -- Paul Gaita

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The Alphabet Killer

• A ten year old girl is found brutally murdered outside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan s return to the investigation also brings back her own horrific hallucination

Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothi! ng to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release o! f a fictionalised motion picture loosely based on the murders.! This fa ctual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.A ten year old girl is found brutally murdered ou! tside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan’s return to the investigation also brings back her own horrific hallucinations.  Even if she can prove a ‘double initial’ connection to the slayings, will she hang onto her sanity long enough to catch a psychopath? Cary Elwes (SAW), Michael Ironside (STARSHIP TROOPERS), Bill Moseley (THE DEVIL’S REJECTS), Carl Lumbly (ALIAS) and Academy Award® winner Timothy Hutton co-star in this chilling thriller directed by Rob Schmidt.In the spirit of suspense films and television shows that focus on the sleuth’s attempt to make something out of senseless violence, Alphabet Killer is less about the murders it details than about the detective,! Megan Paige (Eliza Dushku of Buffy the Vampire Slayer), who suffers mentally for studying brutality. Though opening scenes show young girls slayed at various wooded Rochester, New York crime scenes, the film quickly digresses into Megan’s stressed relationship with her co-detective lover, Kenneth Shine (Cary Elwes), who watches her obsession with the case spiral out of control. As murders continue, Megan gets psychic leads and is haunted by the ghosts of the wrongly deceased, but cannot solve the case. Megan’s diagnosis as a schizophrenic complicates matters greatly, and elevates the film into deeper story, especially when one senses, through subtle filmic clues, the creepiness of Megan’s therapist, Richard Ledge (Timothy Hutton). Some silly, dramatized enactments of mental illness on Dushku’s part do not help convince the viewer through fine acting, though one may be willing to look past this in hopes for pending potential spookiness. And the conundrum posed by Megan in her therapy group is engaging: manic peop! le do often excel due to intuition, yet it is their ability to experience the world differently that gets them into trouble. Although the ghosts hallucinations are unconvincing, and Dushku probably could have used more research before she took the role, Alphabet Killer captivates because it shows how convoluted layers of reality can confuse even the sharpest detective. The disturbing thing about Alphabet Killer is not the film itself but the idea behind it: that the majority of what we know and trust is illusory, and that truth is discovered best through madness. --Trinie Dalton

Stills from The Alphabet Killer (Click for larger image)

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Sunday, December 4, 2011

Aliens in the Attic

12:50 AM admin No comments

• Features include: -MPAA Rating: PG -Format: DVD-Runtime: 86 minutes

It’s summer vacation, but the Pearson family kids are stuck at a boring lake house with their nerdy parents. That is until feisty, little, green aliens crash-land on the roof, with plans to conquer the house AND Earth! Using only their wits, courage and video game-playing skills, the youngsters must band together to defeat the aliens and save the world -- but the toughest part might be keeping the whole thing a secret from their parents! Featuring an all-star cast including Ashley Tisdale, Andy Richter, Kevin Nealon and Tim Meadows, Aliens In The Attic is the most fun you can have on this planet!

Specs:		Audio: English: 5.1 Dolby Digital / Spanish & French: Dolby Surround Language: Dubbed & Subtitled: English, French & Spanish Theatrical Aspect Ratio: Widescreen: 1.85:1
Episodes-Bonus Features:		**Forced Trailers: Alvin and the Chipmunks The Squeakquel, Percy Jackson Theatrical Trailer, Ice Age 3, Night At The Museum 2, Post Grad, Family Catalog Trailer **Introduction to Film with Ashley Tisdale **The Ashley Encounters **Deleted Scenes **Gag Reel **Behind the Zirkonians **Meet The Zirkonians **Trailer Farm: Delgo, Fame, Strawberry Shortcake: Sky's The Limit

Video game meets movie in this wacky scienc! e-fiction action film. When aliens from space invade the attic! of a re nted lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblin! gs realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an altern! ate ending, three deleted scenes, a 5-minute gag reel, an inte! ractive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

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Doubt (movie tie-in edition)

• ISBN13: 9781559363471
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Miramax Films comes one of the most honored and acclaimed motion pictures of the year, Doubt. Based on the Pulitzer Prize and Tony Award-winning play, Doubt is a mesmerizing, suspense-filled drama with four riveting performances from Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis that will have you pinned to the edge of your seat. Sister Aloysius Beauvier (Streep), the rigid and fear-inspiring principal of the Saint Nicholas Church School, suffers an extreme dislike for the progressive and popular parish priest Father Flynn (Hoffman). Looking for wrongdoing in every corner, Sister Aloysius believes she's uncovered the ultimate sin when she hears Father Flynn has taken a special in! terest in a troubled boy. But without proof, the only thing certain is doubt.

"One of the best pictures of the year," (USA Today, Rolling Stone, New York Post, San Francisco Examiner, Roger Ebert).

Bonus Features include From Stage To Screen, Scoring Doubt, The Sisters Of CharityIt's always a risk when writers direct their own work, since some playwrights don't travel well from stage to screen. Aided by Roger Deakins, of No Country for Old Men fame, who vividly captures the look of a blustery Bronx winter, Moonstruck's John Patrick Shanley pulls it off. If Doubt makes for a dialogue-heavy experience, like The Crucible and 12 Angry Men, the words and ideas are never dull, and a consummate cast makes each one count. Set in 1964 and loosely inspired by actual events, Shanley focuses on St. Nicholas, a Catholic primary school that has accepted its first African-American student, Donald Miller (Joseph Foster), who serves! as altar boy to the warm-hearted Father Flynn (Phillip Seymou! r Hoffma n). Donald may not have any friends, but that doesn't worry his mother, Mrs. Miller (Viola Davis in a scene-stealing performance), since her sole concern is that her son gets a good education. When Sister James (Amy Adams) notices Flynn concentrating more of his attentions on Miller than the other boys, she mentions the matter to Sister Aloysius Beauvier (Meryl Streep), the school's hard-nosed principal. Looking for any excuse to push the progressive priest out of her tradition-minded institution, Sister Aloysius sets out to destroy him, and if that means ruining Donald's future in the process--so be it. Naturally, she's the least sympathetic combatant in this battle, but Streep invests her disciplinarian with wit and unexpected flashes of empathy. Of all the characters she's played, Sister Aloysius comes closest to caricature, but she never feels like a cartoon; just a sad woman willing to do anything to hold onto what little she has before the forces of change render her--! and everything she represents--redundant. --Kathleen C. Fennessy


Stills from Doubt (Click for larger image)

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Based on the Pulitzer Prize and Tony Award-winning play, Doubt is a mesmerizing, suspense-filled drama with riveting performances from Meryl Streep, Phillip Seymour Hoffman, Amy Adams, and Viola Davis that will have you pinned to the edge of your seat. Sister Aloysius Beauvier(Streep), the rigid and fear-inspiring principal of the Saint Nicholas Church School, suffers an extreme dislike for the progressive and popular parish priest Father Flynn(Hoffman). Looking for wrongdoing in every corner, Sister Aloysius believes she's uncovered the ultimate sin when she fears Father Flynn has taken a special interest in a troubled boy. But without proof, the only thing certain is doubt.

Now a major motion picture! Starring Meryl Streep, Philip Seymour Hoffman! , and Amy Adams. Written and directed by John Patrick Shanley from his Pulitzer Prizeâ€"winning play.

“The best new play of the season. That rarity of rarities, an issue-driven play that is unpreachy, thought-provoking, and so full of high drama that the audience with which I saw it gasped out loud a half-dozen times at its startling twists and turns. Mr. Shanley deserves the highest possible praise: he doesn’t try to talk you into doing anything but thinking-hard-about the gnarly complexity of human behavior.”â€"Terry Teachout, The Wall Street Journal

“A breathtaking work of immense proportion. Positively brilliant.”â€"Melissa Rose Bernardo, Entertainment Weekly

“#1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. In just ninety fast-moving minutes, Shanley creates four blazingly individual people. Doubt is! a lean, potent drama . . . passionate, exquisite, important a! nd engro ssing.”â€"Linda Winer, Newsday

John Patrick Shanley is the author of numerous plays, including Danny in the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia, Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money? He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo; Alive; Five Corners; Joe Versus the Volcano, which he also directed; and Moonstruck, for which he won an Academy Award for best original screenplay.

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