Thursday, September 22, 2011

Foxy Brown

  • Used - Like New
She's brown sugar and spice...and if you don't watch it, she'll put you on ice! Delivering a performance worthy of "the Queen of the genre" (Los Angeles Times), Grier portrays one of the screens first action heroines with humor, sensitivity and steely determination. This electrifying revenge thriller explodes with all the sex appeal and cooler-than-cool attitude of its irresistible leading lady. Foxy Brown (Grier) has found her soulmate in an undercover narcotics investigator, but when he is brutally murdered, she swears vengeance against the crime ring responsible. Posing asa call girl to gain access to the ring's inner circle, Foxy discovers just how high the corruption extends, igniting a blistering war that takes her from the city streets to a remote drug laboratory to a breathtaking midair battle behind the controls of an airplane! But the most startling confrontations a! re yet to come as she schemes to bring down her boyfriend's killers in ways they never could have imagined.Pam Grier, the voluptuous queen of blaxploitation movies (and the foxy title character of Quentin Tarantino's Jackie Brown) reigns supreme in this kick-ass action flick. Bodacious nurse Foxy takes the law into her own hands after her main squeeze is murdered in cold blood. The standard revenge plot of Foxy Brown moves along on fast-forward, and the violence ratio (some of it quite gruesome) is high. Director Jack Hill, a master of the low-budget drive-in movie (Switchblade Sisters), made Coffy with Pam Grier the year before. This one's not quite as much fun, but it is decidedly kinkier, and the parade of 1970s fashion crimes is mind expanding. At one crucial moment Foxy saves herself by pulling a concealed revolver out of her mighty Afro--absolutely one of the high points of blaxploitation cinema. --Robert Horton Pam Grier, the volupt! uous queen of blaxploitation movies (and the foxy title charac! ter of Q uentin Tarantino's Jackie Brown) reigns supreme in this kick-ass action flick. Bodacious nurse Foxy takes the law into her own hands after her main squeeze is murdered in cold blood. The standard revenge plot of Foxy Brown moves along on fast-forward, and the violence ratio (some of it quite gruesome) is high. Director Jack Hill, a master of the low-budget drive-in movie (Switchblade Sisters), made Coffy with Pam Grier the year before. This one's not quite as much fun, but it is decidedly kinkier, and the parade of 1970s fashion crimes is mind expanding. At one crucial moment Foxy saves herself by pulling a concealed revolver out of her mighty Afro--absolutely one of the high points of blaxploitation cinema. --Robert Horton

Greatest Hits

  • Condition: Used - Good
Not many artists can boast a greatest-hits album by their 21st birthday, but then not everybody logs a Lolita-ish hit at age 13, as the precocious Rimes did with the retro "Blue" in 1996. In many ways, that auspicious debut was her finest hour, full of hypnotic, yodel-laced magic and savant-like promise. Since then, she's recorded a fair amount of bankable pop ("One Way Ticket," "Can't Fight the Moonlight") and a seemingly bottomless well of tripe ("You Light Up My Life," "Written in the Stars" with Elton John). It all sits back-to-back on this collection of 16 familiar tunes, braced with a second DVD disc and three new audio recordings: "This Love," "Last Thing on My Mind" (a duet with Ronan Keating), and the holiday favorite, "O Holy Night." Alas, of the new songs, the first two point up the weakness of much of Rimes's career--her connect-the-dots emotionality. That ! leaves the heralded Christmas classic, on which she attempts some nervous Whitney Houston canoodling. Best advice: Put the player on "repeat," and enjoy the royal "Blue" treat that got this career rolling, before the aerobicized videos and the embarrassing lawsuit with Daddy. --Alanna Nash

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