Freestyle Men's FS75401 Hammerhead Polyurethane Watch

• Quartz movement
• Mineral crystal
• Case diameter: 42 mm
• Stainless-steel case; black dial; date function
• Water-resistant to 660 feet (200 M)

Freestyle U.S.A. warrants, to the original purchaser, a limited lifetime warranty that its watches are free from defects in materials and workmanship. The following are not covered under warranty: battery, strap/bracelet/band and crystal. Freestyle U.S.A. will not repair defects relating to servicing not performed by Freestyle U.S.A.Get ready to take on the wildest waves with the Freestyle Hammerhead stainless steel men's watch (model 75401), which is water resistant to 200 meters (660 feet)--suitable for recreational scuba diving in addition to water sports like surfing. This large, powerfully styled timepiece is topped by a raised, rounded bezel with machine cut accents and a black plated inner dial with Arabic numeral marke! rs and small minute indexes. It frames a black dial with large luminous dotted markers and oversized arrow hands (with red seconds hand), and silver Arabic numerals at the quarter hours. It's completed by a black polyurethane strap. Other features include a date window at 4 o'clock and scratch-resistant hardened mineral crystal.

About FreeStyle
With the extremist in mind, FreeStyle has created an extensive collection of innovative performance watches that will go with you to the edge and back--whether you're surfing, skiing, biking, or hiking. Established in 1981, Freestyle Watches was the brainchild of a couple of Surfers whose mission was to create a watch line that could withstand the abusive conditions of their beach lifestyle. Their experience told them very few watches on the market could stand up to the daily abuse of salt water and sand. The result was The Shark Freestyle watch, a lightweight, low profile, and extremely durable timepiece that was im! mediately demanded by athletes all over the world.

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The Air I Breathe: Worship as a Way of Life

• ISBN13: 9781590526705
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Where Do You Worship?

Not everyone may frequent the church on the corner, but we each have a place of worship. For some, it’s at the office. For others, before the mirror. Still others, on the basketball court. You were created to worship! So you naturally find a place to do it. But to worship anything less than God robs both Him and us. It’s at the foot of the cross where we reel, trying to comprehend how a holy God could chase us down with kindness and redeem us from an eternity of futile gods. In this newly revised and refreshed edition of the original The Air I Breathe, you’ll find your sense of worship increasing beyond church walls or a Sunday routine. Soon all of ! life becomes your delighted response to God!

Everybody Worships Something

What captures your time and attention?

We are all worshipers…of something. But are we spending our lives and filling our days with what matters most?

Newly revised, The Air I Breathe will awaken you to the reality that worship is more than a service on Sunday. It’s every moment reflecting God’s glory and grace.

“Some of the most inspiring teaching on worship I’ve ever heard has come from Louie Giglio. This book has inspired me as a worshiper and as a worship leader.”
-Matt Redman, Author of The Unquenchable Worshipper and The Heart of Worship

“It’s about time we had a book from Louie Giglio! Read it, and find out why.”
-Beth Moore, Bestselling author, speaker, and founder of Living Proof Ministries

“A message that has sent shock waves through the church.! ”
-Andy Stanley , Senior pastor, North Point Community! Church

“Don’t read The Air I Breathe unless you want to reexamine your life to see whom or what you are truly worshiping on a daily basis.”
â€"Billy Ray Hearn, Founder of Sparrow Records


From the Hardcover edition.Where Do You Worship?

Not everyone may frequent the church on the corner, but we each have a place of worship. For some, it’s at the office. For others, before the mirror. Still others, on the basketball court. You were created to worship! So you naturally find a place to do it. But to worship anything less than God robs both Him and us. It’s at the foot of the cross where we reel, trying to comprehend how a holy God could chase us down with kindness and redeem us from an eternity of futile gods. In this newly revised and refreshed edition of the original The Air I Breathe, you’ll find your sense of worship increasing beyond church walls or a Sunday routine. Soon all of life becomes your del! ighted response to God!

Everybody Worships Something

What captures your time and attention?

We are all worshipers…of something. But are we spending our lives and filling our days with what matters most?

Newly revised, The Air I Breathe will awaken you to the reality that worship is more than a service on Sunday. It’s every moment reflecting God’s glory and grace.

“Some of the most inspiring teaching on worship I’ve ever heard has come from Louie Giglio. This book has inspired me as a worshiper and as a worship leader.”
-Matt Redman, Author of The Unquenchable Worshipper and The Heart of Worship

“It’s about time we had a book from Louie Giglio! Read it, and find out why.”
-Beth Moore, Bestselling author, speaker, and founder of Living Proof Ministries

“A message that has sent shock waves through the church.”
-Andy Stanley , Senior pastor, North Point Co! mmunity Church

“Don’t read The Air I Breathe unless you want to reexamine your life to see whom or what you are truly worshiping on a daily basis.”
â€"Billy Ray Hearn, Founder of Sparrow Records


From the Hardcover edition.Where Do You Worship?

Not everyone may frequent the church on the corner, but we each have a place of worship. For some, it’s at the office. For others, before the mirror. Still others, on the basketball court. You were created to worship! So you naturally find a place to do it. But to worship anything less than God robs both Him and us. It’s at the foot of the cross where we reel, trying to comprehend how a holy God could chase us down with kindness and redeem us from an eternity of futile gods. In this newly revised and refreshed edition of the original The Air I Breathe, you’ll find your sense of worship increasing beyond church walls or a Sunday routine. Soon all of life becomes your delighted response to God!

Everybody Worships Something

What captures your time and attention?

We are all worshipers…of something. But are we spending our lives and filling our days with what matters most?

Newly revised, The Air I Breathe will awaken you to the reality that worship is more than a service on Sunday. It’s every moment reflecting God’s glory and grace.

“Some of the most inspiring teaching on worship I’ve ever heard has come from Louie Giglio. This book has inspired me as a worshiper and as a worship leader.”
-Matt Redman, Author of The Unquenchable Worshipper and The Heart of Worship

“It’s about time we had a book from Louie Giglio! Read it, and find out why.”
-Beth Moore, Bestselling author, speaker, and founder of Living Proof Ministries

“A message that has sent shock waves through the church.”
-Andy Stanley , Senior pastor, North Point Community Church

“Don’t read The Air I Breathe unl! ess you want to reexamine your life to see whom or what you ar! e truly worshiping on a daily basis.”
â€"Billy Ray Hearn, Founder of Sparrow Records

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Mezco Living Dead Dolls: Halloween II (2009) Michael Myers Doll

• Based on the new film
• Dressed in a film-specific costume
• Stands 10" tall
• Comes with bloody knife
• Window box packaging

Rob Zombie's H2 (Halloween) picks up at the exact moment that 2007's box-office smash, Halloween stopped and follows the aftermath of Michael Myers's (Tyler Mane) murderous rampage through the eyes of heroine Laurie Strode (Scout Taylor Compton). Evil has a new destiny. Michael Myers is back in this terrifying sequel to Rob Zombie’s visionary re-imagining of Halloween. It is that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business. Unleashing a trail of terror that only horror master Zombie can, Myers will stop at nothing to! bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable.Rocker turned writer-director Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (and for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous encounter with brother Michael Myers (Tyler Mane) by bonding with Sheriff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, herself a vet from the original run of Halloween sequels). Her previous surrogate fa! ther, Dr. Loomis (Malcolm McDowell) has forsaken his connectio! n to Lau rie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roams the lonely outskirts of Haddonfield, driven by visions of his mother (Sheri Moon Zombie) and a single-minded urge to bond with his sister at any cost.

Aesthetically, H2 is striking, thanks largely to the ashen color scheme by cinematographer Brandon Trost (Crank 2: High Voltage), which underscores the doom-laded spiral track each of the main characters seem to travel in the film. And Zombie is to be commended for venturing outside of his comfort zone--the grimy, pop-culture ironic, white trash environment his characters frequently inhabit--with the scenes between Michael and his mother. But again, his ambitions don’t meet with his abilities--Moon looks impressive, but her apocalyptic mutterings ring more silly than spectral, especially when she’s forced to play opposite an enormous pale horse (insert heavy-handed Biblical imagery here). Most fans will fi! nd these moments more tedious than inspired, and a distraction from the murders, which retain Zombie’s preference for mayhem. He succeeds in this department, but if the end result is a menu of ugly killings, the point of revamping the Halloween franchise is somewhat moot, since the threadbare follow-ups to the Carpenter original already achieved that goal. Zombie’s knack for offbeat casting remains his most inspired talent: Haddonfield is filled with cult icons like Caroline Williams (Texas Chainsaw Massacre 2), Margot Kidder, and Daniel Roebuck, who jostle for space with rough-hewn character players like Duane Whitaker, Mark Boone Junior, and Dayton Callie (Deadwood) and left-field cameos by Howard Hesseman and “Weird Al” Yankovic. --Paul Gaita

Rob Zombie's H2 (Halloween) picks up at the exact moment that 20! 07's box-office smash, Halloween stopped and follows ! the afte rmath of Michael Myers's (Tyler Mane) murderous rampage through the eyes of heroine Laurie Strode (Scout Taylor Compton).

Evil has a new destiny. Michael Myers is back in this terrifying sequel to Rob Zombie’s visionary re-imagining of Halloween which grossed almost $80 million worldwide. It is that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business. Unleashing a trail of terror that only horror master Zombie can, Myers will stop at nothing to bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable.Rocker turned writer-director Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (an! d for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous encounter with brother Michael Myers (Tyler Mane) by bonding with Sheriff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, herself a vet from the original run of Halloween sequels). Her previous surrogate father, Dr. Loomis (Malcolm McDowell) has forsaken his connection to Laurie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roams the lonely outskirts of Haddonfield, driven by visions of his mother (Sheri Moon Zombie) and a single-minded urge to bond with his sister at any cost.

Aesthetically, H2 is striking, thanks largely to the ashen color scheme by cinematographer Brandon Trost (Crank 2:! High Voltage), which underscores the doom-laded spiral tr! ack each of the main characters seem to travel in the film. And Zombie is to be commended for venturing outside of his comfort zone--the grimy, pop-culture ironic, white trash environment his characters frequently inhabit--with the scenes between Michael and his mother. But again, his ambitions don’t meet with his abilities--Moon looks impressive, but her apocalyptic mutterings ring more silly than spectral, especially when she’s forced to play opposite an enormous pale horse (insert heavy-handed Biblical imagery here). Most fans will find these moments more tedious than inspired, and a distraction from the murders, which retain Zombie’s preference for mayhem. He succeeds in this department, but if the end result is a menu of ugly killings, the point of revamping the Halloween franchise is somewhat moot, since the threadbare follow-ups to the Carpenter original already achieved that goal. Zombie’s knack for offbeat casting remains his most inspired talent: Haddonfield is fil! led with cult icons like Caroline Williams (Texas Chainsaw Massacre 2), Margot Kidder, and Daniel Roebuck, who jostle for space with rough-hewn character players like Duane Whitaker, Mark Boone Junior, and Dayton Callie (Deadwood) and left-field cameos by Howard Hesseman and “Weird Al” Yankovic. --Paul GaitaRob Zombie's H2 (Halloween) picks up at the exact moment that 2007's box-office smash, Halloween stopped and follows the aftermath of Michael Myers's (Tyler Mane) murderous rampage through the eyes of heroine Laurie Strode (Scout Taylor Compton).

Evil has a new destiny. Michael Myers is back in this terrifying sequel to Rob Zombie’s visionary re-imagining of Halloween which grossed almost $80 million worldwide. It is that time of year again, and Michael Myers has returned home to sleepy Haddonfie! ld, Illinois to take care of some unfinished family business. ! Unleashi ng a trail of terror that only horror master Zombie can, Myers will stop at nothing to bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable.Rocker turned writer-director Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (and for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous encounter with brother Michael Myers (Tyler Mane) by bonding with Sheriff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, her! self a vet from the original run of Halloween sequels). Her previous surrogate father, Dr. Loomis (Malcolm McDowell) has forsaken his connection to Laurie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roams the lonely outskirts of Haddonfield, driven by visions of his mother (Sheri Moon Zombie) and a single-minded urge to bond with his sister at any cost.

Aesthetically, H2 is striking, thanks largely to the ashen color scheme by cinematographer Brandon Trost (Crank 2: High Voltage), which underscores the doom-laded spiral track each of the main characters seem to travel in the film. And Zombie is to be commended for venturing outside of his comfort zone--the grimy, pop-culture ironic, white trash environment his characters frequently inhabit--with the scenes between Michael and his mother. But again, his ambitions don’t meet with his abilities--Moon looks impressive, but her apocalyptic mutterings ring more silly! than spectral, especially when she’s forced to play opposit! e an eno rmous pale horse (insert heavy-handed Biblical imagery here). Most fans will find these moments more tedious than inspired, and a distraction from the murders, which retain Zombie’s preference for mayhem. He succeeds in this department, but if the end result is a menu of ugly killings, the point of revamping the Halloween franchise is somewhat moot, since the threadbare follow-ups to the Carpenter original already achieved that goal. Zombie’s knack for offbeat casting remains his most inspired talent: Haddonfield is filled with cult icons like Caroline Williams (Texas Chainsaw Massacre 2), Margot Kidder, and Daniel Roebuck, who jostle for space with rough-hewn character players like Duane Whitaker, Mark Boone Junior, and Dayton Callie (Deadwood) and left-field cameos by Howard Hesseman and “Weird Al” Yankovic. --Paul GaitaLiving Dead Dolls Michael Myers Halloween 2 Doll

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Chocolate

• Prachya Pinkaew, director of Ong Bak: The Thai Warrior, returns with Chocolate, an explosive new martial arts masterpiece starring his new prot g , Jija Yanin Vismistananda, who spent five years training for the role. Jija plays Zen, a young autistic girl who grows up next to a Muay Thai boxing studio and is raised on a steady diet of chocolate and marathon viewings of Tony Jaa and Bruce Lee films

Studio: Urban Vision Release Date: 11/28/2006AZUMI 2 - DVD MovieAzumi 2003 Directed by Ryuhei Kitamura of Versus. Azumi is an action packed movie based on a highly popular manga serial by Yu Koyama. Like his stylish and gory previous film it wastes no time in getting down to business. The movies gets rolling as soon as the band of ten Samurai in training including Azumi (Aya Ueto) the only swordswoman among them is subjected to its final test. Once again Kitamura demonstrates his awesome skills i! nto camera movements and fights choreography. The unlimited supply of stylistic action scenses and wild visual effects are enhanced by his leaping and pouncing camer. wirework and CGI special effects. At one time the kick ass heroine (in a cool skin tight period clothing takes on as many as 200 enemies.Azumi 2003 Directed by Ryuhei Kitamura of Versus. Azumi is an action packed movie based on a highly popular manga serial by Yu Koyama. Like his stylish and gory previous film it wastes no time in getting down to business. The movies gets rolling as soon as the band of ten Samurai in training including Azumi (Aya Ueto) the only swordswoman among them is subjected to its final test. Once again Kitamura demonstrates his awesome skills into camera movements and fights choreography. The unlimited supply of stylistic action scenses and wild visual effects are enhanced by his leaping and pouncing camer. wirework and CGI special effects. At one time the kick ass heroine (in a ! cool skin tight period clothing takes on as many as 200 enemie! s.

T aking place shortly after the end of the first film, Azumi 2 features the same actress, Aya Ueto, in the title role, this time going up against a corrupt government official (Mikijiro Hira) and his team of trained ninja assassins.A young girl learns to fight from watching TV and the fighters from the boxing school next door. When she finds a list of debtors in her ailing mother s diary, she sets upon a violent quest to collect payment for medical expenses. Her quest is a dangerous one that ultimately leads her to her father, a gang member of the Yakuza.

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The Young Victoria [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Subtitled; Widescreen

From Jane Campion, Academy Award winner of The Piano, comes a sweeping love story that will carry you back through time to experience the passion and romance between acclaimed poet, John Keats and his beloved muse. London 1818: a secret love affair begins between 23 year old English poet, John Keats, and the girl next door Fanny Brawne, an outspoken student of high fashion. This unlikely pair began at odds, he thinking her a stylish minx, while she was unimpressed not only by his poetry but also by literature in general.
Add Jane Campion's rich, sensuous, quietly thrilling Bright Star to the very short list of admirable films about writers. In this case the writer is John Keat! s (Ben Whishaw), the Romantic poet who died at age 25 believing himself a failure. The movie, set during his last several years, focuses on his playful friendship with and evolving love for Fanny Brawne (Abbie Cornish), the independent-minded young woman who lived next door in Hampstead Village and was, in her own fashion, an artistic spirit. Completing an ineffably fraught constellation--not exactly a romantic triangle--is Keats's host Charles Armitage Brown (Paul Schneider), who loves, esteems, and regards Keats with both pride and envy, and engages in an unstated rivalry for Fanny. All three performances are superb, with Whishaw adding to his gallery of artist figures (the olfactorily obsessed murderer in Perfume, one of the Bob Dylans in I'm Not There), and Cornish and Schneider taking top acting honors for 2009. As in Campion's The Piano, others are party to the central story, and they have identities, personalities, and claims to intelligence and ! understanding that we appreciate without having it announced i! n dialog ue. Kerry Fox (redheaded wild girl of Campion's An Angel at My Table nearly two decades ago) evokes Fanny's mother with a few brushstrokes, and Fanny's young sister and brother are watchful presences and de facto co-conspirators in the courtship. In addition, Bright Star is the rare period movie to convey--without being insistent--what it was like to be alive in another era, the nature of houses and rooms and how people occupied them, the way windows linked spaces and enlarged people's lives and experiences, how fires warmed as the milky English sunlight did not. And always there is an aliveness to place and weather, the creak of boardwalk underfoot and the wind rustling the reeds as lovers walk through a wetland. Poetry grows from such things; at least, Jane Campion's does. --Richard T. JamesonEmily Blunt and Rupert Friend star in the lavish historical drama, THE YOUNG VICTORIA. Resolved to establish her authority over those who rule in her stead! , a young and inexperienced Queen Victoria (Blunt) draws strength from the love of Albert (Friend), the handsome prince who’s stolen her heart. Based on the courtship and early reign of England’s longest-serving monarch, THE YOUNG VICTORIA is a majestic tale of romance, intrigue and power.


Stills from The Young Victoria (Click for larger image)

Emily Blunt and Rupert Friend star in the lavish historical drama, THE YOUNG VICTORIA. Resolved to establish her authori! ty over those who rule in her stead, a young and inexperienced Queen Victoria (Blunt) draws strength from the love of Albert (Friend), the handsome prince who’s stolen her heart. Based on the courtship and early reign of England’s longest-serving monarch, THE YOUNG VICTORIA is a majestic tale of romance, intrigue and power.


Stills from The Young Victoria (Click for larger image)

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Flashbacks Of A Fool [Blu-ray]

• FLASHBACKS OF A FOOL BLU-RAY (BLU-RAY DISC)

Daniel Craig delivers a startling performance as Joe Scott, a washed-up Hollywood star adrift in a haze of sex, drugs and squandered fame. But when he receives news of the sudden death of his childhood best friend, Joe flashes back to his younger self (played by Harry Eden of Oliver Twist) in his small English seaside village and the summer of innocence and tragedy that would change his life forever. Olivia Williams (The Sixth Sense), Claire Forlani (CSI:NY) and Eve co-star in this powerful drama about love, loss and one man’s journey to redemption, executive produced by Daniel Craig and featuring songs by Scott Walker, David Bowie and Roxy Music.Leading man Daniel Craig apparently made Flashbacks of a Fool (he was also one of the executive producers) in between stints as James Bond, and you can see why he was attract! ed to it; Joe Scott, the character he portrays in this film, could hardly be less like the suave, ever-resourceful 007. Ensconced in a fab, oceanfront Malibu crib, Joe is a movie star on the skids. Hooked on coke and drink, engaging in group gropes with dumb Hollywood bimbos, he’s sunk so low that his sassy assistant (Eve) calls him "a disgrace to white folks," and even his agent is sick of him, which is somewhat akin to a parasite dissing its host (it’s a measure of writer-director Baillie Walsh’s script’s lack of depth that we never really see what made Joe so great in the first place, or so bad now). When a call comes that a childhood friend has died, Joe decides to return to his native England for the funeral, whereupon an extended flashback kicks in. Young Joe (Harry Eden), it seems, was as randy and hopelessly naïve as a lot of teenage boys. Though he had the hots for the sexiest young thang in town (a coastal village that’s as lovely in its way as the Cali! fornia setting, both of them handsomely photographed by cinema! tographe r John Mathieson; the locations, in fact, are probably the most attractive element of the film), he also wasn’t immune to the advances of Evelyn (Jodhi May), the older married woman who lives next door. And when a tragedy involving Evelyn’s daughter struck while she and Joe were in flagrante, Joe handled it by leaving town, never to return--until now, that is. He discovers that his late pal’s widow is the same young girl Joe’d had his eye on, but otherwise his homecoming is a strangely muted affair; not a lot happens, which pretty much applies to the film overall. In the end, Flashbacks of a Fool has its touching moments, but it might have turned out better had it been both shaken and stirred. --Sam Graham

Stills from Flashbacks of a Fool (Click for larger image)

Flashbacks of a Fool Soundtrack
Daniel Craig delivers a startling performance as Joe Scott, a washed-up Hollywood star adrift in a haze of sex, drugs and squandered fame. But when he receives news of the sudden death of his childhood best friend, Joe fla! shes back to his younger self (played by Harry Eden of Oliver Twist) in his small English seaside village and the summer of innocence and tragedy that would change his life forever. Olivia Williams (The Sixth Sense), Claire Forlani (CSI:NY) and Eve co-star in this powerful drama about love, loss and one man s journey to redemption, executive produced by Daniel Craig and featuring songs by Scott Walker, David Bowie and Roxy Music.Leading man Daniel Craig apparently made Flashbacks of a Fool (he was also one of the executive producers) in between stints as James Bond, and you can see why he was attracted to it; Joe Scott, the character he portrays in this film, could hardly be less like the suave, ever-resourceful 007. Ensconced in a fab, oceanfront Malibu crib, Joe is a movie star on the skids. Hooked on coke and drink, engaging in group gropes with dumb Hollywood bimbos, he’s sunk so low that his sassy assistant (Eve) calls him "a disgrace to white folks," and ev! en his agent is sick of him, which is somewhat akin to a paras! ite diss ing its host (it’s a measure of writer-director Baillie Walsh’s script’s lack of depth that we never really see what made Joe so great in the first place, or so bad now). When a call comes that a childhood friend has died, Joe decides to return to his native England for the funeral, whereupon an extended flashback kicks in. Young Joe (Harry Eden), it seems, was as randy and hopelessly naïve as a lot of teenage boys. Though he had the hots for the sexiest young thang in town (a coastal village that’s as lovely in its way as the California setting, both of them handsomely photographed by cinematographer John Mathieson; the locations, in fact, are probably the most attractive element of the film), he also wasn’t immune to the advances of Evelyn (Jodhi May), the older married woman who lives next door. And when a tragedy involving Evelyn’s daughter struck while she and Joe were in flagrante, Joe handled it by leaving town, never to return--until now, that i! s. He discovers that his late pal’s widow is the same young girl Joe’d had his eye on, but otherwise his homecoming is a strangely muted affair; not a lot happens, which pretty much applies to the film overall. In the end, Flashbacks of a Fool has its touching moments, but it might have turned out better had it been both shaken and stirred. --Sam Graham

Stills from Flashbacks of a Fool (Click for larger image)

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Free Radicals

• FREE RADICALS BOSE ZELLEN (DVD MOVIE)

This is a bold expose of science's mavericks. For more than a century, science has cultivated a sober public image for itself. But as bestselling author Michael Brooks explains, the truth is very different: many of our most successful scientists have more in common with libertines than librarians. This thrilling exploration of some of the greatest breakthroughs in science reveals the extreme lengths some scientists go to in order to make their theories public. Fraud, suppressing evidence and unethical or reckless PR games are sometimes necessary to bring the best and most brilliant discoveries to the world's attention. Inspiration can come from the most unorthodox of places, and Brooks introduces us to Nobel laureates who get their ideas through drugs, dreams and hallucinations. Science is a highly competitive and ruthless discipline, and only its most de! termined and passionate practitioners make headlines - and history. To succeed, knowledge must be pursued by any means: in science, anything goes.Free Radicals in Biology and Medicine has become a classic text in the field of free radical and antioxidant research since its first publication in 1985.

This latest edition has been comprehensively rewritten and updated (over 80% of the text is new), while maintaining the clarity of its predecessor. There is expanded coverage of isoprostanes and related compounds, mechanisms of oxidative damage to DNA and proteins (and the repair of such damage), the free radical theory of aging and the roles played by reactive species in signal transduction, cell death, human reproduction, and other important biological events. Greater emphasis has also been placed on the methods available to measure reactive species and oxidative damage (and their potential pitfalls), as well as the importance of antioxidants in the human diet! .

This book is recommended as a comprehensive introduc! tion to the field for students, clinicians and researchers, and an invaluable companion to all those interested in the role of free radicals in the life and biomedical sciences.

The New York Times bestselling author heralds the future of business in Free.

In his revolutionary bestseller, The Long Tail, Chris Anderson demonstrated how the online marketplace creates niche markets, allowing products and consumers to connect in a way that has never been possible before. Now, in Free, he makes the compelling case that in many instances businesses can profit more from giving things away than they can by charging for them. Far more than a promotional gimmick, Free is a business strategy that may well be essential to a company's survival.

The costs associated with the growing online economy are trending toward zero at an incredible rate. Never in the course of human history have the primary inputs to an industrial economy fallen in price so fast an! d for so long. Just think that in 1961, a single transistor cost $10; now Intel's latest chip has two billion transistors and sells for $300 (or 0.000015 cents per transistor--effectively too cheap to price). The traditional economics of scarcity just don't apply to bandwidth, processing power, and hard-drive storage.

Yet this is just one engine behind the new Free, a reality that goes beyond a marketing gimmick or a cross-subsidy. Anderson also points to the growth of the reputation economy; explains different models for unleashing the power of Free; and shows how to compete when your competitors are giving away what you're trying to sell.

In Free, Chris Anderson explores this radical idea for the new global economy and demonstrates how this revolutionary price can be harnessed for the benefit of consumers and businesses alike.

The New York Times bestselling author heralds the future of business in Free.

In his revolutio! nary bestseller, The Long Tail, Chris Anderson demonstr! ated how the online marketplace creates niche markets, allowing products and consumers to connect in a way that has never been possible before. Now, in Free, he makes the compelling case that in many instances businesses can profit more from giving things away than they can by charging for them. Far more than a promotional gimmick, Free is a business strategy that may well be essential to a company's survival.

The costs associated with the growing online economy are trending toward zero at an incredible rate. Never in the course of human history have the primary inputs to an industrial economy fallen in price so fast and for so long. Just think that in 1961, a single transistor cost $10; now Intel's latest chip has two billion transistors and sells for $300 (or 0.000015 cents per transistor--effectively too cheap to price). The traditional economics of scarcity just don't apply to bandwidth, processing power, and hard-drive storage.

Yet this is just one engine beh! ind the new Free, a reality that goes beyond a marketing gimmick or a cross-subsidy. Anderson also points to the growth of the reputation economy; explains different models for unleashing the power of Free; and shows how to compete when your competitors are giving away what you're trying to sell.

In Free, Chris Anderson explores this radical idea for the new global economy and demonstrates how this revolutionary price can be harnessed for the benefit of consumers and businesses alike.

This is a banker's worst nightmarea book that tells you how to live without being enslaved to financial institutions.Chelsea Green has produced a formidable series of books on innovative shelter. But every alternative building strategy, no matter how low-cost or environmentally benign, requires a complementary financial strategy. the accepted path is to go hat-in-hand to a big financial institution, such as a bank, to borrow a lump sum that is repaid over many years. By ! the time the loan is repaid, the homeowner will have paid seve! ral time s the original amount in interest.The literal meaning of "mortgage" is "death pledge." Author Rob Roy is offering an escape route from a lifetime of indentured servitude. "Mortgage-Free! Radical Strategies for Home Ownership" is a complete guide to strategies that allow you to own your land and home, free and clear, without the bank. Included is detailed advice about: Clarifying and simplifying your notions of what's necessaryFinding land that you love and can affordTaking control of the house-building process, for the sake of sanity and pleasureLearning to take a long-term perspective on your family's crucial economic decisions, avoiding debt and modern-day serfdom.The origins of the word "mortgage" are Old French and translate roughly to "death pledge." Rob Roy takes a radical approach here to help the reader understand how mortgages work; explains clearly how, if you have a mortgage already, you can maximize your equity sooner and save tons of money; and how, if just ! starting the process of acquiring a home for yourself, there are clear alternatives to a standard bank mortgage that will save you massive amounts of money, time, and financial headaches.

Roy covers the following subjects in detail: the grubstake--the essential financial asset that will stay with you for life; how to find land that you love and can afford; how to seize control of the house-building process; how to clarify and simplify your ideas of what you really need; and how to construct a low-cost home. Included in the book is Roy's own personal story of mortgage-free living, as well as those of others. His wry humor makes for an entertaining read, and his ideas, examples, and advice are clear-headed, logical, and hopeful. His financial calculations and charts are clear and imminently sensible while being real eye-openers. Your banker may not want you to read this radical book, but it amounts to a guided, rational plan for home ownership and financial ! liberation, and will no doubt soon be considered a classic. --Mark A. HettsFREE RADICALS - DVD Movie

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