INGRID PITT 8x10 B&W PHOTO

• Description: High Quality real photograph printed on Fuji Paper.
• Size: 8x10 inches

COUNTESS DRACULA VAMPIRE LOVERSPolish-born actress Ingrid Pitt's erotically supercharged presence is the highlight of this double bill of vampire chills from Hammer Films. In Countess Dracula, Pitt stars as an aging noblewoman (inspired by the real-life Erzebeth Bathory) who discovers the secret to eternal youth in the veins of young virgins, while in The Vampire Lovers (based on J. Sheridan LeFanu's "Carmilla"), Pitt's sensuous bloodsucker seduces Hammer starlets Madeleine Smith and Kate O'Mara and incurs the vengeful wrath of Peter Cushing. Countess is the more sober of the two films, with Jeremy Paul's script and Peter Sadsy's direction playing out more like an Old Dark House mystery than Hammer horror, while Lovers' aims for comic-book thrills with plenty of nudity and vi! olence (much of which was trimmed from the American version, but reinstated here); in both cases, Pitt's sexy/scary performances make this DVD a memorably viewing experience for vintage and new-school horror fans alike. --Paul GaitaStudio: E1 Release Date: 08/10/2010An argument could be made on which of the two is stranger and more exciting, mysterious, terrifying and eclecticâ€"the reel adventures of movie star Ingrid Pitt or the real life adventures of daughter, wife, mother and new grandmother Ingrid Pitt. Ingrid Pitt: Darkness Before Dawn will help you find an answer to that argument as you follow the life story of the amazing Ingridâ€"from the terror-filled years in a Concentration Camp, hardships after the war, breaking into acting, becoming a wife and mother, world-wide adventures, making movies, writing and theatre. This memoir of a life filled with terror and tears and ultimately joy and laughter will paint a picture of Ingrid Pitt you will not soon forg! et.FANEX Film Conventions were held in Baltimore/Washington D.! C. from 1984 through 2004. Over that time, hundreds of actors and filmmakers from the world of classic horror films attended and spoke, to the delight of their many fans who traveled from across North America to see them. The iconic and sexy stars at Hammer Films distinguished themsleves as fan favorites over the years. Despite having to endure grueling transatlantic flights, they always arrived cheerful and ready to answer questions and sign autographs. Hammer Films was the undisputed capital of horror in the 1950s and 60s, filling a void left when American studios fell in love with flying saucers, aliens and atomic mutants. Between the golden age of cinema horror in the 1930s and 40s, when Universal Studios introduced the four immortal icons of movie terror (Dracula, The Wolfman, The Mummy and Frankenstein's Monster) and the big budget horror revival of the 1970s and 80s (sparked by The Exorcist, Friday the 13th, and Nightmare on Elm Street,) Hammer Films was the only refuge fo! r fans of the macabre who were eager to quench their thirst for classic chills. The small British studio did the unthinkable, taking the most famous of the old black-and-white monster tales and remaking them in blood-curdling color. This fascinating documentary tells the story of the talented people behind and in front of the cameras at the Hammer Film Studios. Their prodigious output made household names of Peter Cushing and Christopher Lee, arguably the greatest fright duo since Lugosi and Karloff. Filled with shocking clips, terrifying trailers, and fascinating interviews with cast and crew culled from twenty years of the FANEX Film Convention archives, this film is a horror fan's delight! Featuring Appearances by Christopher Lee, Veronica Carlson, Ingrid Pitt, James Bernard, Val Guest, Jimmy Sangster, Freddie Francis, Caroline Munro, Virginia Wetherall, Michael Ripper and Barbara Shelley.Ingrid Pitt, icon of horror cinema: her life and career. Full cast and produ! ction credits, synopses, reviews and notes are offered for all! of her film, stage and television appearances, along with a critical listing of her novels and other published works. An analysis of Hammer Films' Karnstein Trilogy--of which Pitt's celebrated The Vampire Lovers (1970) was the first installment--is included, and also examined is the trilogy's original literary source, Sheridan Le Fanu's "Carmilla." Other features are rare photographs and other movie-related graphics from every phase of the actress' career and a foreword by Ingrid Pitt herself.

Citrus Cinema has done it again! Films of the seventies were just bursting with onscreen nudity that one volume was not enough. Hollywood isn't the only place to find beautiful actresses. The Saucy 70's Volume 2 has a distinct international flavor with dozens of A and B-movie ingenues from around the world featuring 100 starlets in all!

The Saucy 70's were an extraordinary period in cinema, sex and nudity in mainstream films exploded and new subgenres of films emerged. Nunsploitation! , blaxploitation, grindhouse, woman-in-prison, European giallos and sex comedies, and of course, the ever-popular 'young woman's erotic journey' films that were so prevalent, took nudity in cinema to greater heights.

Our sex in cinema retrospective uncovers long-forgotten gems buried for years as well as some of the most significant films in the history of sex on the screen. Controversial and groundbreaking films, you'll discover the most memorable and erotic scenes of the decade as well as insightful and controversial bios on each actress. In many cases it was their first and only nude appearance on film, making this a must-have reference guide to nudity in cinema.

Once again, sit back and enjoy groovy 70's sounds, chic 70's fashions and best of all, mostly-natural 70's skin, as we pay homage to the beautiful actresses of the 70's. If you loved Volume 1, you'll go gaga over Volume 2! Round out your collection and get all the films in our series: The Swinging ! 60's The Easy 80's The Naughty 90's & The Tawdry 2000's all co! ming soo n! The Saucy 70's Volume 2 includes the following starlets plus a BONUS EXTRA '30 Quick Peaks', a sweet selection of 30 obscure, lesser-known but no less beautiful actresses in very sexy scenes:

Laura Antonelli - The Eroticist
Catherine Bach - Crazed
Priscilla Barnes - Seniors
Femi Benussi - Strip Nude For Your Killer
Jane Birkin - Je T'aime Moi Non Plus
Rene Bond - The Adult Version Of Jekyl & Hyde
Barbara Bouchet - Ricco, The Mean Machine
Sonia Braga - Dona Flor & Her Two Husbands
Ellen Burstyn - Tropic Of Cancer
Rita Calderoni - Nude For Satan
Lili Carati - Senza Buccia
Nadia Cassini - When Women Played Ding Dong
Sybil Danning - Loves Of A French Pussycat
Phyllis Davis - Terminal Island
Susan Dey - First Love
Sylva Dionisio - Una Ondata Di Piacere
Edwige Fenech - Ubalda, All Naked & Warm
Anitra Ford - Invasion Of The Bee Girls
Laura Gemser - Emmanuelle ! Around The World
Elenora Giorgi - Story Of A Cloistered Nun
Gloria Guida - La Ragazzina
Joey Heatherton - Bluebeard
Xaviera Hollander - My Pleasure Is My Business
Nastassja Kinski - Stay As You Are
Sylva Koscina - Casanova & Company
Sylvia Kristel - La Marge
Sirpa Lane - Papaya: Love Goddess Of The Cannibals
Barbara Leigh - Terminal Island
Christina LIndberg - Made In Sweden
Malisa Longo - Elsa Fraulein SS
Chesty Morgan - Deadly Weapons
Paola Morra - Killer Nun
Ornella Muti - A Summer Affair
Rosalba Neri - Slaughter Hotel
Olivia Pascal - Vanessa
Ingrid Pitt - Vampire Lovers
Misty Rowe - Goodbye, Norma Jean
Illona Staller - Yellow Emmanuelle
Koo Stark - The Awakening Of Emily
Connie Stevens - Scorchy
Ingrid Steeger - Me, A Groupie
Dorothy Stratten - Autumn Born
Anita Strindberg - Lizard In A Woman's Skin
Dyanne Thorne - Ilsa, S! he Wolf Of The SS
Angel Tompkins - The Teacher
Bet! ty Verge s - The Fruit Is Ripe
Lindsay Wagner - Two People
Lana Wood - A Place Called Today
and many, many more!At Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!
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Keramat Movie Poster (11 x 17 Inches - 28cm x 44cm) (2009) Indonesia Style A -(Su-yeon Cha)(Daniel Choi)(Ha-Na Hwang)(Seung-eon Hwang)(In-gi Jeong)(Yoo Jin)

• Keramat Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Indonesia Style A
• The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
• Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
• Size is provided by the manufacturer and may not be exact
• Packaged with care and shipped in sturdy reinforced packing material

Fonte: Wikipedia. Pagine: 23. Capitoli: Jang Nara, Sungmin, Shindong, Sandara Park, Kangta, Rain, Jun Jin, Yesung, Ryeowook, Lee Jun Ki, Yoo Ha-na, Dana, Choi Jin-sil, Bae Doona, Ahn Jae Wook, Yang Dong-geun, Park Shin Hye, Soon-Yi Previn, Lee Min Ho, Yuko Fueki, Eric Mun, Hwanhee, Han Ji Hye, Jang Youngran, Yunjin Kim, Choi Siwon, Kang Doo, Jun Ji-hyun, Joo Jong-hyuk, Moon Geun Young, Park Min Young, Kim Dong Wook, Kim Sa-rang, Kang Hye-jeong, Kim Jae Wo! n, Jeong Da-bin, Choi Min-sik, Kam Wu-seong, Kim Hye-na. Estratto: Jang Nara (hangul: 장나라; hanja: 張나라; latinizzazione: Jang Nara; McCune-Reischauer: Chang Nara; cinese tradizionale: 張娜拉; cinese semplificato: 张娜拉; pinyin: Zhāng Nà Lā; Seoul, 18 marzo 1981) è una cantante, attrice e modella sudcoreana, conosciuta anche in Cina, dove canta canzoni in mandarino, con il nome di Zhang Nala. Jang ha passato la maggior parte dell'infanzia a Seoul, sua città di nascita, dove ha avuto la possibilità di apparire insieme a suo padre attore in una piece teatrale, Les Misérables, durante gli anni della scuola elementare. È stato in quel periodo che ha mostrato il primo interesse nella recitazione, tuttavia è stato solo durante il periodo della scuola superiore che ha avuto la possibilità di posare come modella per degli spot pubblicitari, prima di iscriversi alla Facoltà di Belle Arti, Dipartimento di Teatro, dell'Università di Chungang a marzo del 200! 0. Jang è passata alla carriera musicale firmando un contratt! o con l' etichetta SM Entertainment, tuttavia esso fu presto reciso a causa delle scarse aspettative della casa discografica. Fu così che Jang pubblicò da sola il suo primo album, Burying My Face In Tears, il quale a dispetto delle aspettative vendette ben 300.000 copie. I singoli in stile pop ballad Confession ed April Story raggiunsero il podio in diverse classifiche musicali, dando a Jang la possibilità di partecipare allo show musicale Music Camp, del canale televisivo MBC. Nel 2005, in seguito alla partecipazione a...Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the s! haring of human knowledge. This particular book is a collaboration focused on South Korean songwriters.Keramat Poster (11 x 17 Inches - 28cm x 44cm) (2009) Indonesia Style A reproduction poster print

CAST: Su-yeon Cha,Daniel Choi,Ha-Na Hwang,Seung-eon Hwang,In-gi Jeong,Yoo Jin,Eun-ji Jo,Hye-na Kim,Hye-sang Lee,Young-jin Lee,Han-byeol Park; DIRECTED BY: Jae-yeon Yun;

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The Burning Plain

• BURNING PLAIN, THE (DVD MOVIE)

Frequently given short shrift as a blue movie (which it is) and as mindless (which it isn't), director Adrian Lyne's follow-up to Flashdance (insert own joke here) is a thoughtful, smutty film about a bad sexual relationship. It follows the two-month affair between Elizabeth, an art-gallery dealer, and John, a Wall Street exec. The relationship spirals downward into raunchier sex (filmed, by the way, quite nicely) but principally is about two adults doing adult things but not acting anything like real adults. Attempts at actual human connection, about the longing to be "good," are present here and make this an above-average erotic film. Rourke is just honing his scumbag, bad-boy persona; but it doesn't overwhelm. Lots and lots of Kim Basinger. --Keith Simanton Academy Award® winners Charlize Theron and Kim Basinger star in this romantic mystery ab! out hope, redemption and second chances. Sylvia (Theron) is a woman on the edge whose cool, professional demeanor masks a deeply troubled, sexually charged storm within. When a stranger from Mexico confronts her with her mysterious past, she is launched into an emotional journey back to the defining moment of her life. Gina (Basinger) is a housewife trapped in a loveless marriage who finds solace and passion in an illicit affair. Though separated by time and great distances, these women find their lives linked by the forces of love and fate.A painful secret separates a mother and daughter in The Burning Plain, the feature directorial debut by the screenwriter of Babel, 21 Grams, and Amores Perros. The story moves fluidly in time: In the present, Sylvia (Charlize Theron) seems to be leading a confident life as the manager of an expensive restaurant, but it’s a mask covering promiscuity, self-mutilation, and suicidal impulses. Many years earlier,! a young girl named Mariana (Jennifer Lawrence, The Bill En! gvall Sh ow) tries to piece together what led her mother (Kim Basinger) into an extramarital affair...even as Mariana herself falls into a dangerous relationship with the son of her mother’s lover. These threads and more are interwoven into an increasingly potent knot. The Burning Plain has some obvious dialogue and a few off-key notes, but despite that is a striking first effort by Guillermo Arriaga. Theron has always been best in roles that draw on anger and pain, like her astonishing performance in Monster; she goes bland when called on to portray nobility and happiness, but give her inner demons and her remarkable beauty roils with hidden emotions. The rest of the supporting cast--including John Corbett and Robin Tunney in small roles--turn in strong work. Like a boa constrictor, the movie slowly coils around you, then squeezes. --Bret Fetzer

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