Tuesday, November 22, 2011

August Evening

  • August Evening follows an aging undocumented farm worker named Jaime and his young, widowed daughter-in-law, Lupe, as their lives are thrown into upheaval. Lupe is more of a daughter to Jamie than his own children, and the two try to stick together.but change is inevitable. Format: DVD MOVIE Genre: DRAMA Rating: PG-13 Age: 812034010159 UPC: 812034010159 Manufactur
August Evening follows an aging undocumented farm worker named Jaime and his young, widowed daughter-in-law, Lupe, as their lives are thrown into upheaval. Lupe is more of a daughter to Jaime than his own children, and the two try to stick together... but change is inevitable

HOME OF THE BRAVE - Format: [Blu-Ray Movie]

  • Condition: New
  • Format: Blu-ray
  • Color; Widescreen
A man I helped to settle here
taught me a saying from Africa.
I’ll bet you would like it:
A cow is God with a wet nose.

Kek comes from Africa where he lived with his mother, father, and brother. But only he and his mother have survived. Now she’s missing, and Kek has been sent to a new home. In America, he sees snow for the first time, and feels its sting. He wonders if the people in this new place will be like the winterâ€"cold and unkind. But slowly he makes friends: a girl in foster care, an old woman with a rundown farm, and a sweet, sad cow that reminds Kek of home. As he waits for word of his mother’s fate, Kek weathers the tough Minnesota winter by finding warmth in his new friendships, strength in his memories, and belief in his new country.
In dreamlike seque! nces, a man symbolically confronts the trauma of his family’s incarceration in the Japanese internment camps during World War II. This infamous event is made emotionally clear through his meeting a group of children all with strange name tags pinned to their coats. The man feels the helplessness of the children. Finally, desperately he releases the name tags like birds into the air to find their way home with the hope for a time when Americans will be seen as one people—not judged, mistrusted, or segregated because of their individual heritage.
Sixty years after thousands of Japanese Americans were unjustly imprisoned, the cogent prose and haunting paintings of renowned author and illustrator Allen Say remind readers of a dark chapter in America’s history.
When a humanitarian mission in Iraq is derailed by an explosive ambush, a small band of American soldiers find themselves fighting for their lives.The fact that Home of the Brave is about soldiers c! oming home from a war that isn't even over is just one of the ! things t hat's off in this film; director Irwin Winkler and screenwriter Mark Friedman's 2006 tale of the problems faced by the men and women returning from Iraq is also hampered by thoroughly predictable storytelling, sub-par acting, and sometimes painfully on-the-nose dialogue, reducing what could have been a provocative and challenging effort into so much TV movie fodder. When Army medic Will Marsh (Samuel L. Jackson, who does his best to rise above the level of the material) and soldiers Vanessa Price (Jessica Biel) and Tommy Yates (Brian Presley) return to Spokane, Washington, major readjustment problems loom, mostly due to a chaotic ambush in a small Iraqi town (occurring less than two weeks before they were to be sent home, the incident is so unsurprising that anyone could have seen it coming). Will and his angry teenage son wage their own war, while Dad takes to the bottle; Vanessa's learning to cope with a prosthetic hand, while Tommy's grieving over the best buddy who died ! in the ambush and the loss of his job, girlfriend, and self-respect. Those matters and the clichéd, unconvincing way in which they're handled, along with the film's refusal to take a strong stand either for or against the war, obscure the potentially much more interesting issues. Are these soldiers patriots, or merely pawns? Were they doing their righteous duty by serving in this conflict, or were they victims sent off to suffer and perhaps die by a bunch of men in suits who never saw a minute of combat themselves? Other home-from-war films, from 1946's The Best Years of Our Lives to 1978's Coming Home to 1989's Born on the Fourth of July, have dealt with these and other issues a good deal more effectively than the earnest and well-intentioned but not very compelling Home of the Brave. --Sam GrahamIt is 2012. Chris Randall is an average American male. Growing up during the 1990s, he witnesses the turmoil of the world through the safety of! a television set. His idols include popular musicians and spo! rts figu res. He can t point out the country of Mongolia on a map. The hardest decision he faces is whether to go to college or join the military like so many of his friends. But something happens that changes all of that. In one day, his entire world is unraveled. A massive electromagnetic pulse cripples all electronic devices throughout the country, and temporary chaos sets in. What emerges is a different but strangely familiar world a world that had always been seething just beneath the surface. As the dust settles, only the strong and resourceful survive. Millions of others die from famine, disease, and disorder. Chris must make a choice: succumb to nihilism, hatred, and self-destruction, or find redemption by leaving behind everything he has ever known.
They are nineteen of the most highly decorated soldiers, sailors, airmen, and marines in the United States military, and yet most Americans don’t even know their names. In this riveting, intimate account, former Sec! retary of Defense Caspar Weinberger and Wynton C. Hall tell stories of jaw-dropping heroism and hope in Afghanistan and Iraq.
Home of the Brave takes readers beyond the bullets and battles and into the hearts and minds of the men and women who are fighting terrorists overseas so that America doesn’t have to fight them at home. These are the powerful, true-life stories of the hopes, fears, and triumphs these men and women experienced fighting the War on Terror. But more than that, these are the stories of soldiers who risked everything to save lives and defend freedom. Including:

*Lieutenant Colonel Mark Mitchell, the Green Beret leader whose 15-man Special Forces team took 500 Al Qaeda and Taliban prisoners, and posthumously repatriated the body of the first American to die in combat in the War on Terror, CIA agent Johnny “Mike” Spann.

*Army National Guard Sergeant Leigh Ann Hester, the first woman ever to be awarded the Silver Star for combat! , whose sharp-shooting and bravery played an enormous role in ! fighting off over fifty Iraqi insurgents while her ten-person squad protected a convoy of supplies on the way to fellow soldiers.

*Sergeant Rafael Peralta, a Mexican immigrant, enlisted in the Marines the same day he received his green card. Wounded from enemy fire, Peralta used his body to smother the blast of an enemy grenade and gave his life so that his marine brothers could live.

These real-life heroes remind us of American history’s most enduring lesson: Ours would not be the land of the free if it were not also the home of the brave.

(01/11/2006)When a humanitarian mission in Iraq is derailed by an explosive ambush, a small band of American soldiers find themselves fighting for their lives.The fact that Home of the Brave is about soldiers coming home from a war that isn't even over is just one of the things that's off in this film; director Irwin Winkler and screenwriter Mark Friedman's 2006 tale of the problems faced by the men an! d women returning from Iraq is also hampered by thoroughly predictable storytelling, sub-par acting, and sometimes painfully on-the-nose dialogue, reducing what could have been a provocative and challenging effort into so much TV movie fodder. When Army medic Will Marsh (Samuel L. Jackson, who does his best to rise above the level of the material) and soldiers Vanessa Price (Jessica Biel) and Tommy Yates (Brian Presley) return to Spokane, Washington, major readjustment problems loom, mostly due to a chaotic ambush in a small Iraqi town (occurring less than two weeks before they were to be sent home, the incident is so unsurprising that anyone could have seen it coming). Will and his angry teenage son wage their own war, while Dad takes to the bottle; Vanessa's learning to cope with a prosthetic hand, while Tommy's grieving over the best buddy who died in the ambush and the loss of his job, girlfriend, and self-respect. Those matters and the clichéd, unconvincing way in whi! ch they're handled, along with the film's refusal to take a st! rong sta nd either for or against the war, obscure the potentially much more interesting issues. Are these soldiers patriots, or merely pawns? Were they doing their righteous duty by serving in this conflict, or were they victims sent off to suffer and perhaps die by a bunch of men in suits who never saw a minute of combat themselves? Other home-from-war films, from 1946's The Best Years of Our Lives to 1978's Coming Home to 1989's Born on the Fourth of July, have dealt with these and other issues a good deal more effectively than the earnest and well-intentioned but not very compelling Home of the Brave. --Sam Graham

Feel the Noise : Widescreen Edition

  • Widescreen
From producer Jennifer Lopez comes a danceable, dynamic story about the unifying power of the music within us all. When life in the South Bronx gets too hot for rapper Rob (Omarion Grandberry, You Got Served), he flees to Puerto Rico and a father he never knew. After half-brother Javi introduces Rob to the seductive rhythms of Reggaeton, the two find that their music, and cultures, have more in common than they ever imagined. But to bring their musical hybrid to the world, can they survive the grudges and gunplay that await them back in New York City? To find out, grab the disc, watch the film and Feel the Noise.Feel the Noise fits in with other dance-heavy films such as Stomp the Yard, Step Up, and You Got Served. The young hero in this film (which comes courtesy of Jennifer Lopez's Nuyorican Productions) serves up former B2K heartthrob Om! arion Grandberry as Rob, a fledgling rapper who gets into trouble in New York. Fearing for her son's life, his mother ships him off to Puerto Rico to live with his father Roberto(Giancarlo Esposito) and half brother Javi (Victor Rasuk). Rob and Roberto have a strained relationship, but the two half-brothers quickly bond over their love of music. With the help of a girl Rob is sweet on, the two find themselves on the brink of a bonafide music career--that may bring Rob back to Harlem. Set against a backbeat of reggaeton music (which combines elements of reggae, hip-hop, and salsa), the film has its work cut out. The genre is little known to much of the film's demographics (teenagers), and Grandberry is likeable, but he's not a convincing leading man. His role requires simmering sexuality; he provides adorableness, but the moviegoer is never convinced that he is anything but a nice boy. Zulay Henao is lovely as Rob's sexy and sweet girlfriend, but the two actors don't share m! uch chemistry. Lopez makes a blink-and-you-miss-it cameo near ! the end of the movie, which has one misstep too many to be anything more than a guilty pleasure. --Jae-Ha KimFrom producer Jennifer Lopez comes a danceable, dynamic story about the unifying power of the music within us all. When life in the South Bronx gets too hot for rapper Rob (Omarion Grandberry, You Got Served), he flees to Puerto Rico and a father he never knew. After half-brother Javi introduces Rob to the seductive rhythms of Reggaeton, the two find that their music, and cultures, have more in common than they ever imagined. But to bring their musical hybrid to the world, can they survive the grudges and gunplay that await them back in New York City? To find out, grab the disc, watch the film and Feel the Noise.Feel the Noise fits in with other dance-heavy films such as Stomp the Yard, Step Up, and You Got Served. The young hero in this film (which comes courtesy of Jennifer Lopez's Nuyorican Productions) serves up former B2K ! heartthrob Omarion Grandberry as Rob, a fledgling rapper who gets into trouble in New York. Fearing for her son's life, his mother ships him off to Puerto Rico to live with his father Roberto(Giancarlo Esposito) and half brother Javi (Victor Rasuk). Rob and Roberto have a strained relationship, but the two half-brothers quickly bond over their love of music. With the help of a girl Rob is sweet on, the two find themselves on the brink of a bonafide music career--that may bring Rob back to Harlem. Set against a backbeat of reggaeton music (which combines elements of reggae, hip-hop, and salsa), the film has its work cut out. The genre is little known to much of the film's demographics (teenagers), and Grandberry is likeable, but he's not a convincing leading man. His role requires simmering sexuality; he provides adorableness, but the moviegoer is never convinced that he is anything but a nice boy. Zulay Henao is lovely as Rob's sexy and sweet girlfriend, but the two actors ! don't share much chemistry. Lopez makes a blink-and-you-miss-i! t cameo near the end of the movie, which has one misstep too many to be anything more than a guilty pleasure. --Jae-Ha KimMusic From The Motion Picture "Feel The Noise" by Feel The Noise (Motion Picture Soundtrack)

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ZyXEL ZyWALL USG20 Internet Security Firewall with 4 Gigabit LAN/DMZ Ports, 2 IPSec VPN, SSL VPN, and 3G WAN Support

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The ZyWALL USG 20 is a Unified Security Gateway, integrated with complete, enterprise-level and advanced security solutions designed for Small/Medium Business (SMB) recommended for up to 5 PC users. Its flexible configuration helps network administrators set up the network and enforce security policies more efficiently. With certified by ICSA SPI Firewall and IPSec VPN, the ZyWALL USG 20’s security features also include IPSec VPN, SSL VPN, Firewall and Content Filter. It also! provides bandwidth management, for QoS of VoIP or mission critical applications. Moreover, IPSec VPN and SSL VPN design for telecommuters and home workers can access data more easily and safely at home. Remote access with SSL VPN requires only a standard web browser. ZyWALL USG 20’s excellent throughput is the key to implement features of an enterprise level to provide a full-time, non-stop and secure service.

Monday, November 21, 2011

Equilibrium: Portal Chronicles Book Two

  • ISBN13: 9780615376813
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Delivering awesome high-tech action in the power-packed style of THE MATRIX and MINORITY REPORT, EQUILIBRIUM stars Christian Bale (REIGN OF FIRE) and Taye Diggs (CHICAGO) in a thrilling look at a future where the only crime is being human! In an attempt to end wars and maintain peace, humankind has outlawed the things that trigger emotion -- literature, music, and art. To uphold the law, a special breed of police is assigned to eliminate all transgressors. But when the top enforcer (Bale) misses a dose of an emotion-blocking drug, he begins to realize that things are not as they seem! Also starring Sean Bean (THE LORD OF THE RINGS) and Emily Watson (RED DRAGON).A broad science fiction thriller in a cla! ssic vein, Equilibrium takes a respectable stab at a Fahrenheit 451-like cautionary fable. The story finds Earth's post-World War III humankind in a state of severe emotional repression: If no one feels anything, no one will be inspired by dark passions to attack their neighbors. Writer-director Kurt Wimmer's monochromatic, Metropolis-influenced cityscape provides an excellent backdrop to the heavy-handed mission of John Preston (Christian Bale), a top cop who busts "sense offenders" and crushes sentimental, sensual, and artistic relics from a bygone era. Predictably, Preston becomes intrigued by his victims and that which they die to cherish; he stops taking his mandatory, mood-flattening drug and is even aroused by a doomed prisoner (Emily Watson). Wimmer's wrongheaded martial arts/dueling guns motif is sheer silliness (a battle over a puppy doesn't help), but Equilibrium should be seen for Bale's moving performance as a man shocked back to hum! an feeling. --Tom KeoghA broad science fiction thriller! in a cl assic vein, Equilibrium takes a respectable stab at a Fahrenheit 451-like cautionary fable. The story finds Earth's post-World War III humankind in a state of severe emotional repression: If no one feels anything, no one will be inspired by dark passions to attack their neighbors. Writer-director Kurt Wimmer's monochromatic, Metropolis-influenced cityscape provides an excellent backdrop to the heavy-handed mission of John Preston (Christian Bale), a top cop who busts "sense offenders" and crushes sentimental, sensual, and artistic relics from a bygone era. Predictably, Preston becomes intrigued by his victims and that which they die to cherish; he stops taking his mandatory, mood-flattening drug and is even aroused by a doomed prisoner (Emily Watson). Wimmer's wrongheaded martial arts/dueling guns motif is sheer silliness (a battle over a puppy doesn't help), but Equilibrium should be seen for Bale's moving performance as a man shocked back to hum! an feeling. --Tom KeoghDelivering awesome high-tech action in the power-packed style of The Matrix and Minority Report, Equilibrium stars Christian Bale (The Fighter) and Taye Diggs (TVs Private Practice) in a thrilling look at a future where the only crime is being human. In an attempt to end wars and maintain peace, mankind has outlawed the things that trigger emotionliterature, music and art. To uphold the law, a special breed of police is assigned to eliminate all transgressors. But when the top enforcer (Bale) misses a dose of an emotion-blocking drug, he begins to realize that things are not as they seem. Also starring Sean Bean (National Treasure) and Emily Watson (Red Dragon).Delivering awesome high-tech action in the power-packed style of The Matrix and Minority Report, Equilibrium stars Christian Bale (The Fighter) and Taye Diggs (TVs Pr! ivate Practice) in a thrilling look at a future where the ! only cri me is being human. In an attempt to end wars and maintain peace, mankind has outlawed the things that trigger emotionliterature, music and art. To uphold the law, a special breed of police is assigned to eliminate all transgressors. But when the top enforcer (Bale) misses a dose of an emotion-blocking drug, he begins to realize that things are not as they seem. Also starring Sean Bean (National Treasure) and Emily Watson (Red Dragon).Renaissance
Dare to enter a bold vision of the future in the tradition of Blade Runner and Sin Citydrenched with state-of-the-art animation and a gripping story. Its 2054 Paris and the city lives in the shadow of corporate giant Avalon, which sells the irresistible promise of ageless beauty. The sudden kidnapping of a gifted young scientist draws a tough-as-nails cop into a twisted underworld of corporate espionage, genetic research and organized crime. Featuring the stellar voice talents of Daniel Craig (Defiance), Jonathon Pryce (G.I. Joe: The Rise of Cobra) and Ian Holm (The Aviator).

Equilibrium
Delivering awesome high-tech action in the power-packed style of The Matrix and Minority Report, Equilibrium stars Christian Bale (The Fighter) and Taye Diggs (TVs Private Practice) in a thrilling look at a future where the only crime is being human. In an attempt to end wars and maintain peace, mankind has outlawed the things that trigger emotionliterature, music and art. To uphold the law, a special breed of police is assigned to eliminate all transgressors. But when the top enforcer (Bale) misses a dose of an emotion-blocking drug, he begins to realize that things are not as they seem. Also starring Sean Bean (National Treasure) and Emily Watson (Red Dragon).A broad science fiction thriller in a classic vein, Equilibrium takes a respectable stab at a Fahrenheit 451-like cau! tionary fable. The story finds Earth's post-World War III humankind in a state of severe emotional repression: If no one feels anything, no one will be inspired by dark passions to attack their neighbors. Writer-director Kurt Wimmer's monochromatic, Metropolis-influenced cityscape provides an excellent backdrop to the heavy-handed mission of John Preston (Christian Bale), a top cop who busts "sense offenders" and crushes sentimental, sensual, and artistic relics from a bygone era. Predictably, Preston becomes intrigued by his victims and that which they die to cherish; he stops taking his mandatory, mood-flattening drug and is even aroused by a doomed prisoner (Emily Watson). Wimmer's wrongheaded martial arts/dueling guns motif is sheer silliness (a battle over a puppy doesn't help), but Equilibrium should be seen for Bale's moving performance as a man shocked back to human feeling. --Tom KeoghA broad science fiction thriller in a classic vein, Equilibrium takes a respectable stab at a Fahrenheit 451-like cautionary fable. The story finds Earth's post-World War III humankind in a state of severe emotional repression: If no one feels anything, no one will be inspired by dark passions to attack their neighbors. Writer-director Kurt Wimmer's monochromatic, Metropolis-influenced cityscape provides an excellent backdrop to the heavy-handed mission of John Preston (Christian Bale), a top cop who busts "sense offenders" and crushes sentimental, sensual, and artistic relics from a bygone era. Predictably, Preston becomes intrigued by his victims and that which they die to cherish; he stops taking his mandatory, mood-flattening drug and is even aroused by a doomed prisoner (Emily Watson). Wimmer's wrongheaded martial arts/dueling guns motif is sheer silliness (a battle over a puppy doesn't help), but Equilibrium should be seen for Bale's moving performance as a man shocked back to human feeling. --Tom KeoghEthan Hawke, Uma Thurman, Alan Arkin and Jude Law star in th! is engro ssing sci-fi thriller about an all-too-human man who dares to defy a system obsessed with genetic perfection. Hawke stars as Vincent, an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation. However, a week before his mission, a murder marks Vincent as a suspect. With a relentless investigator in pursuit and the colleague he has fallen in love with beginning to suspect his deception, Vincent's dreams steadily unravel.Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is ! determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a n! ote of tragic and heartfelt humanity. --Jeff ShannonCon! fidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his ! dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff ShannonIt's not every day you see a naked body slumped by the side of the road... This ominous sight is just the beginning of a mystery that will span two dimensions. When California teen Arizona Darley and her siblings go missing, their mother, Dr. Olivia Darley, discovers that the time-travel portal she invented has been hijacked. Is the hijacker responsible for the disappearance of her children? Have the children been transported to another dimension? If so, th! e police and FBI will never be able to find them, and Olivia m! ust find a way to rescue her children on her own. How will she do this without access to the portal? EQUILIBRIUM is book two of the Portal Chronicles.

Final Destination 3 (Widescreen Two-Disc Special Edition)

  • Fasten your seatbelts and brace yourself for the "2-Disc Thrill Ride Edition" of Final Destination 3! It's the DVD that takes you on a ride BEYOND terror where YOU control your limit of fear!!Running Time: 93 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 794043103728 UPC: 794043103728 Manufacturer No: N10372
Fasten your seatbelts and brace yourself for the "2-Disc Thrill Ride Edition" of Final Destination 3! It's the DVD that takes you on a ride BEYOND terror where YOU control your limit of fear!!

DVD Features:
Alternate endings
Audio Commentary
DVD ROM Features
Documentaries
Featurette
Other

Giddily gruesome and perversely entertaining, Final Destination 3 proves, yet again, that horror franchises will thrive as long as teenagers keep finding spectacular ways to die. A stand-alone sequel t! o the first two Final Destination thrillers, this one begins when a group of seven high-school graduates luckily escape from a deadly roller-coaster disaster, only to discover that their own deaths have been only temporarily avoided. Cute brunette Wendy (Mary Elizabeth Winstead) spots clues of impending doom in digital photos of her soon-to-be-expiring classmates, and an ill wind follows her everywhere, suggesting the presence of a supernatural force that makes her a catalyst for gory events, as each of her friends is dispatched in the order they were meant to die. Returning to give their brainchild a suspenseful, low-budget makeover, franchise creators and former X-Files writers James Wong and Glen Morgan cleverly play on our collective fears (the roller coaster sequence is genuinely terrifying) with a knowing nod to violent urban legends, which explains their inclusion of the '70s hit "Love Roller Coaster" on the soundtrack when two stuck-up girlfriends pay! an ill-fated visit to a tanning parlor. And that's just for s! tarters: With Wong as director, FD3 serves up its grisly deaths with tight pacing and humor, and the cathartic carnage is discreetly edited yet gory enough to satisfy hardcore horror buffs. When morbid mayhem is this much fun, it's a safe bet that another sequel is just around the corner. --Jeff Shannon

On the DVD
As befits a horror franchise heavily invested in the idea of "fate," the Final Destination 3 disc carries a "Choose Their Fate" option. In other words, you can watch the movie with occasional choices offered; click on one of two alternatives, and see that version play out. This won't give you the power to let one character live or die; it's more like deciding whether somebody honks her horn twice in a scene, calls heads or tails on a coin flip, or pushes the thermostat to 72 degrees or 76. Not exactly life-changing, but it's kind of fun.

The bonus disc includes a 90-minute "making of" feature called Kill Shot, which covers the produc! tion of the movie in exhausting detail (honest detail, too: filmmakers James Wong and Glen Morgan are funny and blunt about the business they're in, including a section on how the original ending was scrapped in favor of a bloodier finale). It's everything you'd want to know about this movie--but who needs to know this much? A 7-minute cartoon, "It's All Around You," is an amusing meditation on bad luck and laws of probability, while a 25-minute featurette called Dead Teenager Movie spins off from Roger Ebert's theory about the rigid formula of a certain kind of horror film (Ebert weighs in on the subject himself). A few experts opine on the traditions of teenagers dying in horror films; some of them don't seem to be aware that the formula pre-dated the first Texas Chainsaw Massacre. Audio commentaries, special effects sidebars, and trailers fill out this needlessly authoritative disc. --Robert Horton

Sunday, November 20, 2011

The Hills Have Eyes II Poster Movie 11x17 Daniella Alonso Michael McMillian Jessica Stroup

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • The Hills Have Eyes II 11 x 17 Inches Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material

Deep within the remote hills of the New Mexico desert, a group of townspeople thought wiped out by the United States government when it began above-ground atomic testing has returned to the now-irradiated land they still claim as their home. Within the eye of this nuclear storm good people will go bad, battle lines will be drawn, and a new family of mutated monstrosities must protect their own at all costs in a mind-boggling orgy of blood and vengeance.

The Hills Have Eyes: The Beginning tells for the first time the epic origin stor! y behind Wes Craven's classic tale of mutant carnage, leading into and bridging the gap between the 2006 remake of The Hills Have Eyes and its sequel, The Hills Have Eyes 2. Written by acclaimed storytellers Jimmy Palmiotti (Painkiller Jane) and Justin Gray (Countdown) with shocking art by John Higgins (Judge Dredd, War Stories), this is mutant mayhem as you've never seen it before.

Based on the original film by fright master Wes Craven, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.Boasting an upgrade in production values, The Hills Have Eyes should please new-generation horror fans without offending devotees of Wes Craven's original version from 1977. Th! ere's still something to be said for the gritty shock value of! Craven' s low-budget original, made at a time when horror had been relegated to the pop-cultural ghetto, mostly below the radar of major Hollywood studios. With the box-office resurgence of horror in the new millennium--and the genre's lucrative popularity among the all-important teen demographic--it's only fitting that French director Alexandre Aja should follow up his international hit High Tension with a similarly brutal American debut to boost his Hollywood street-cred. Working with cowriter Gregory Levasseur, Aja remains surprisingly faithful to Craven's original, beginning with a bickering family that crashes their truck and trailer in the remote desert of New Mexico (actually filmed in Morocco), where they are subsequently terrorized, brutalized, and murdered by a freakish family of psychopaths, mutated by the lingering radiation from 331 nuclear bomb tests that were carried out during the 1950s and '60s. After several killings are carried out in memorably grisly fashi! on, it's left to the survivors to outsmart their disfigured tormentors, who are blessed with horrendous make-up (especially Robert Joy as freak leader "Lizard") but never quite as unsettling as the original film's horror icon, Michael Berryman. In Aja's hands, this newfangled Hills is all about savagery and de-evolution, reducing its characters to a state of pure, retaliatory terror. It's hardly satisfying in terms of storytelling (since there's hardly any story to tell), but as an exercise in sheer malevolence, it's undeniably effective.--Jeff ShannonThe Hills Have Eyes II reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

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White Alligator Plush Toy 36" Long

  • Nicely Detailed
  • Blue Eyes
  • 36" Long
  • Soft Squeezable Piece
An intense, all-star action-thriller, ALBINO ALLIGATOR is directed by Academy Award(R)-winner Kevin Spacey (1999 Best Actor -- AMERICAN BEAUTY). Matt Dillon (THERE'S SOMETHING ABOUT MARY), and Emmy-winner Gary Sinise (1998 Best Actor In A Miniseries Or Movie, GEORGE WALLACE) play brothers Dova and Milo ... a couple of small-time crooks suddenly in way over their heads! When a holdup goes terribly wrong, the robbers flee to a local bar, desperately taking everyone inside hostage! With nowhere to run and time running out, it's a deadly situation where every second counts! Also starring Golden Globe-winner Faye Dunaway (1999 Best Supporting Actress, GIA) -- expect unexpected twists and turns, all leading to an incredibly explosive climax!Actor Kevin Spacey made his directorial debut in this uneven crime thriller tha! t has the claustrophobic feel of a play. Matt Dillon, Gary Sinise, and William Fichtner play a trio of robbers who have just pulled a job gone wrong. On the run from the cops, they hide out in a basement bar, where they try to figure out their next move. There's a certain amount of urgency, however, because Sinise, the brains of the outfit, is badly wounded--which means that Fichtner, the group psycho, is allowed to run wild, terrorizing the barflies unlucky enough to be their hostages. As the cops swarm outside the bar--thinking these three are major criminals rather than small potatoes--tensions mount, mostly through misunderstanding. But it's all a lot of talk, not nearly enough of it interesting, that pushes the movie slowly to its inevitable conclusion. --Marshall Fine Aurora only uses lock washer or embroidered eyes and nose for safety.An intense, all-star action-thriller, Albino Alligator is the directorial debut from screen favorite Kevin Spacey.

! Dova (Matt Dillon, Takers), Milo (Gary Sinise! , TV 's CSI: New York) and Law (William Fichtner, Date Night) are small-time crooks who are in way over their heads. When a holdup goes terribly wrong, the robbers flee to a local bar, desperately taking everyone inside hostage. With nowhere to run and time running out, it's a deadly situation where every second counts. Also starring Faye Dunaway, Viggo Mortensen, and Skeet Ulrichâ€"unexpected twists and turns lead to an incredibly explosive climax in this must-see thriller!Surface Washable

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