Thursday, December 29, 2011

Act of God

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  • This particular album has all the elements I've come to expect from acapella, great voices, good lyrics, and catchy tunes that are uplifting, sad, and comforting.
Track Listings 1. He's Gonna Let You Know 2. Get To The Point 3. Act Of God 4. House Of Praise 5. And They Praise God 6. Gotta Grow Up 7. Let There Be Love 8. Teaching The Truth In Love 9. Let's Show And Tell 10. Walking The Line
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Saturday, December 24, 2011

Eden Lake

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  • EDEN LAKE (DVD MOVIE)
Like a bad dream turned worst nightmare, Eden Lake is a "relentlessly tense and immaculately paced" (Twitch Film) horror-thriller about modern youth gone wild. When a young couple goes to a remote wooded lake for a romantic getaway, their quiet weekend is shattered by an aggressive group of local kids. Rowdiness quickly turns to rage as the teens terrorize the couple in unimaginable ways, and a weekend outing becomes a bloody battle for survival. Eden Lake is "fierce, thought-provoking ... and genuinely shocking" (Time Out London).British director James Watkins’s directorial debut is an overtly moralistic thriller centering around a couple who are trapped and taunted lakeside by a gang of teenage bullies, led by a boy named Brett (Jack O’Connell). Warning signs to stay out of this camping area abound, in the spirit of myriad camping-trip-gone-awry tales, like the cla! ssic Friday the 13th. The challenge, here, is to subvert those warning signs in order to harness some minor sympathy for the alleged victims to be. However, Steve (Michael Fassbender) and Jenny (Kelly Reilly) are too wrapped up in puppy love to turn around, even when their GPS signal advises them to do so. As a gang of wayward kids pick fights with Steve and Kelly, the couple attempts escape... at first. But Steve’s desire for revenge impels him to search for the delinquents’ parents, which becomes the couple’s downfall. A good portion of Eden Lake is devoted to the chase, during which Steve and Kelly look increasingly swampy under caked on layers of blood and mud. These scenes are well done, fast-paced, and here, enacting fear, Kelly Reilly is at her best. But as the film progresses, one sees so many connections between the teens’ violence and the abhorrent behavior of their parents, that Eden Lake leaves no character interpretation up to the v! iewer. Yes, bad parents usually make bad teens. But a deeper i! nvestiga tion into Brett’s inner mind, or his ability to follow through with torture and the sadistic control he exhibits over his gang, would result in less obvious, and possibly more interesting explanations for criminal action. Though many Dimension Extreme films are cutting edge in the horror genre (see Inside), Eden Lake is not one of them. --Trinie Dalton
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Friday, December 16, 2011

Ghost in the Shell: Anime Legends 2nd Gig

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  • Condition: New
  • Format: DVD
  • Animated; Color; DVD; NTSC
GHOST IN THE SHELL - DVD MovieThe skillful blending of drawn animation and computer-generated imagery excited anime fans when this science fiction mystery was released in 1995: many enthusiasts believe Ghost suggests what the future of anime will be, at least in the short term. The film is set in the not-too-distant future, when an unnamed government uses lifelike cyborgs or "enhanced" humans for undercover work. One of the key cyborgs is The Major, Motoko Kusanagi, who resembles a cross between The Terminator and a Playboy centerfold. She finds herself caught up in a tangled web of espionage and counterespionage as she searches for the mysterious superhacker known as "The Puppet Master."

Mamoru Oshii directs with a staccato rhythm, alternating sequences of rapid-fire action (car chases, gun battles, explosions) ! with static dialogue scenes that allow the characters to sort out the vaguely mystical and rather convoluted plot. Kusanagi's final quote from I Corinthians suggests that electronic evolution may compliment and eventually supplant organic evolution. The minor nudity, profanity, and considerable violence would earn Ghost in the Shell at least a PG rating. --Charles SolomonThe skillful blending of drawn animation and computer-generated imagery excited anime fans when this science fiction mystery was released in 1995: many enthusiasts believe Ghost suggests what the future of anime will be, at least in the short term. The film is set in the not-too-distant future, when an unnamed government uses lifelike cyborgs or "enhanced" humans for undercover work. One of the key cyborgs is The Major, Motoko Kusanagi, who resembles a cross between The Terminator and a Playboy centerfold. She finds herself caught up in a tangled web of espionage and counterespionage as! she searches for the mysterious superhacker known as "The Pup! pet Mast er."

Mamoru Oshii directs with a staccato rhythm, alternating sequences of rapid-fire action (car chases, gun battles, explosions) with static dialogue scenes that allow the characters to sort out the vaguely mystical and rather convoluted plot. Kusanagi's final quote from I Corinthians suggests that electronic evolution may compliment and eventually supplant organic evolution. The minor nudity, profanity, and considerable violence would earn Ghost in the Shell at least a PG rating. --Charles SolomonThe Smash First Season Anime Extravaganza in one complete set.

Major Motoko Kusanagi is a beautiful but deadly cyborg that is squad leader of Section 9; the Japanese government's clandestine unit assigned to battle terrorism and cyber warfare. Surrounded by an expertly trained team, Motoko faces her ultimate challenge- the Laughing Man- a terrorist who orchestrated a kidnapping and extortion plot many years ago and has suddenly reappeared. In order to! discover the identity of this enigmatic criminal, Motoko and Section 9 are drawn into a deadly labyrinth and they'll have to use all their expertise to survive. This acclaimed anime series from Production I.G (Kill Bill) and features the amazing music if Yoko Kanno (Cowboy Behop) with stories by Kenji Kamiyama (Blood, Jin-Roh) and Dai Soto (Eureka SeveN).Studio: Starz/sphe Release Date: 09/15/2009 Run time: 660 minutes

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The Big Bad Swim

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  • An adult swim sets the stage for this charming comedy-drama about love, loss, and second chances. Three strangers inextricably connected through personal heartbreak find themselves entering deep water as they learn that life isn't always about diving right in it's about getting your feet wet once in awhile. Starring Jeff Branson (TV's All My Children) and Paget Brewster (TV's Criminal Minds).Not R
Elizabeth Halsey (Cameron Diaz) is a foulmouthed, ruthless, and inappropriate teacher. She drinks, gets high, and can’t wait to marry a meal ticket to get out of her bogus day job. When she’s dumped by her fiancé, she sets her sights on a rich, handsome substitute (Justin Timberlake) while shrugging off the advances of the school gym teacher (Jason Segel). The consequences of her wild and outrageous schemes give her students, coworkers, and even herself an education like no other! As any kid w! ho's ever forcibly shot milk through their nasal passages can testify, the key to a great gross joke isn't so much the content as it is the delivery. The proudly crass Bad Teacher certainly has great big gobs of greasy, grimy potential, chief among them its central performance by an exceedingly game Cameron Diaz, but it occasionally fails to nail the dismount. This film from director Jake Kasdan (Walk Hard: The Dewey Cox Story) is exactly what the title says: after getting dumped by her rich boyfriend, a lying, cheating, and perpetually boozing middle-school teacher (Diaz) hatches a scheme to con her school out of enough money to pay for cosmetic surgery, while squaring off against the aggressively cheerful teacher across the hall (a very funny Lucy Punch). Lessons are not learned, thankfully. Although the title and attitude recall the effortlessly filthy Bad Santa, Bad Teacher feels more like a spiritual sequel to Diaz's earlier Sweetest Thin! g, a women-can-be-gross-too comedy that spent more time co! ngratula ting itself on how far it was willing to go instead of actually going there. While Bad Teacher certainly has its number of belly laughs and worthy outrages (particularly during a hilariously awkward love scene between Diaz and a nerded-up Justin Timberlake), it's hard not to end up with a general feeling of missed opportunities. Too often, it toes the bad-taste line, when it should be jumping over it with a rocket cycle. --Andrew WrightSee dvd for synopsis Studio: Sony Pictures Home Ent Release Date: 10/18/2011 Run time: 98 minutes Rating: Pg13As any kid who's ever forcibly shot milk through their nasal passages can testify, the key to a great gross joke isn't so much the content as it is the delivery. The proudly crass Bad Teacher certainly has great big gobs of greasy, grimy potential, chief among them its central performance by an exceedingly game Cameron Diaz, but it occasionally fails to nail the dismount. This film from director Jake Kasdan (Walk Hard: The Dewey Cox Story) is exactly what the title says: after getting dumped by her rich boyfriend, a lying, cheating, and perpetually boozing middle-school teacher (Diaz) hatches a scheme to con her school out of enough money to pay for cosmetic surgery, while squaring off against the aggressively cheerful teacher across the hall (a very funny Lucy Punch). Lessons are not learned, thankfully. Although the title and attitude recall the effortlessly filthy Bad Santa, Bad Teacher feels more like a spiritual sequel to Diaz's earlier Sweetest Thing, a women-can-be-gross-too comedy that spent more time congratulating itself on how far it was willing to go instead of actually going there. While Bad Teacher certainly has its number of belly laughs and worthy outrages (particularly during a hilariously awkward love scene between Diaz and a nerded-up Justin Timberlake), it's hard not to end up with a general feeling of missed opportunities. T! oo often, it toes the bad-taste line, when it should be jumpin! g over i t with a rocket cycle. --Andrew WrightElizabeth Halsey (Cameron Diaz) is a foulmouthed, ruthless, and inappropriate teacher. She drinks, gets high, and can’t wait to marry a meal ticket to get out of her bogus day job. When she’s dumped by her fiancé, she sets her sights on a rich, handsome substitute (Justin Timberlake) while shrugging off the advances of the school gym teacher (Jason Segel). The consequences of her wild and outrageous schemes give her students, coworkers, and even herself an education like no other!As any kid who's ever forcibly shot milk through their nasal passages can testify, the key to a great gross joke isn't so much the content as it is the delivery. The proudly crass Bad Teacher certainly has great big gobs of greasy, grimy potential, chief among them its central performance by an exceedingly game Cameron Diaz, but it occasionally fails to nail the dismount. This film from director Jake Kasdan (Walk Hard: The Dewey Cox Story) is exactly what the title says: after getting dumped by her rich boyfriend, a lying, cheating, and perpetually boozing middle-school teacher (Diaz) hatches a scheme to con her school out of enough money to pay for cosmetic surgery, while squaring off against the aggressively cheerful teacher across the hall (a very funny Lucy Punch). Lessons are not learned, thankfully. Although the title and attitude recall the effortlessly filthy Bad Santa, Bad Teacher feels more like a spiritual sequel to Diaz's earlier Sweetest Thing, a women-can-be-gross-too comedy that spent more time congratulating itself on how far it was willing to go instead of actually going there. While Bad Teacher certainly has its number of belly laughs and worthy outrages (particularly during a hilariously awkward love scene between Diaz and a nerded-up Justin Timberlake), it's hard not to end up with a general feeling of missed opportunities. Too often, it toes the bad-taste l! ine, when it should be jumping over it with a rocket cycle. --Andre w WrightA sexually-charge comedy about love, loss, and second chances. Audience Award Best Feature Film Winner at the Tallgrass Film Festival. Best American Independent Winner at the Fort Lauderdale International Film Festival. Best Feature Film Winner ath the Annapolis Film Festival. Bonus Features include: Filmmaker's Commentary, Cinematographer's Video Journal, and Deleted Scenes.
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Wednesday, December 14, 2011

Hidalgo (Full Screen Edition)

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  • A sandstorm of epic proportions. A swarm of locusts so massive it obliterates the relentless sun. Deadly traps that defy imagination. These are just a few of the astonishing obstacles Frank T. Hopkins, the greatest long-distance racer ever, faces in the rousing action-adventure HIDALGO. Based on a true story and starring Viggo Mortensen (THE LORD OF THE RINGS Trilogy), Hopkins (Mortensen) and his
A sandstorm of epic proportions. A swarm of locusts so massive it obliterates the relentless sun. Deadly traps that defy imagination. These are just a few of the astonishing obstacles Frank T. Hopkins, the greatest long-distance racer ever, faces in the rousing action-adventure HIDALGO. Based on a true story and starring Viggo Mortensen (THE LORD OF THE RINGS Trilogy), Hopkins (Mortensen) and his mustang Hidalgo enter the ultimate extreme sport of its time -- the Ocean Of Fire. Underdogs challenging ! the finest Arabian horses and riders, they must not only survive the grueling race across 3,000 miles of the Arabian Desert’s punishing terrain, but they must thwart the evil plots of competitors who vow victory at all costs! A great story of personal triumph, amazing special effects, and memorable characters make HIDALGO one of the most thrilling adventures ever.Director Joe Johnston has always had an entertaining sense of adventure, and with Hidalgo he proves it in spades. It's yet another underrated film for Johnston (along with such enjoyable popcorn flicks as The Rocketeer and Jurassic Park III), dismissed by many critics but a welcome treat for anyone drawn to good ol'-fashioned movie excitement. In his first role since playing Aragorn in the Lord of the Rings trilogy, Viggo Mortensen brings handsome appeal to his low-key portrayal of Frank T. Hopkins, a real-life long-distance horse racer who, as the movie opens, has witnessed the appall! ing massacre of Native Americans at Wounded Knee in 1890. Drif! ting int o Buffalo Bill's Wild West Show, he agrees to compete, with his trusty mustang, Hidalgo, in "The Ocean of Fire," a treacherous 3,000-mile horse race across the Arabian desert. Toss in a bunch of conspiring competitors, a noble sheik (Omar Sharif), his lovely daughter (Zuleikha Robinson), and enough fast-paced danger to fill 133 minutes, and you've got a rousing, humorous, and lightly spiritual adventure that's a lot of fun to watch. It hardly matters that it's almost pure fiction (the real Hopkins was known by many as "a pathological liar"). More important is the love of movies and moviemaking that Johnston so delightfully conveys. --Jeff Shannon
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Disney / Pixar CARS 2 Movie Exclusive PVC 10Pack Deluxe Figurine Playset

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  • Lightning McQueen
  • Francesco Bernoulli
  • Nigel Gearsley
  • Shu Todorki
  • Warning: Wheels Do Not Move
Cars 2 Figure Play Set Get every play time off to a racing start with this 10 piece Deluxe Disney Cars 2 Figure Play Set. Lightning McQueen is here along with all of his arch rivals so your young speedster will be on track for lots of fast action thrills! This is a pvc play set. Features Lightning McQueen Carla Veloso Francesco Bernoulli Jeff Gorvette Shu Todorki Lewis Hamilton Max Schnell Miguel Camino Nigel Gearsley Raoul Caroule
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Sunday, December 11, 2011

Halloween (Two-Disc Unrated Collector's Edition) [Blu-ray]

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  • Rob Zombie (The Devil's Rejects), "modern American horror's most eccentric and surprising filmmaker," (Matt Zoller Seitz, New York Times) reinvents the ultimate slasheric, unleashing Michael Myers for a bloody rollercoaster of a rampage like fans have never seen. Including a retelling of the original story that unfolds at a breakneck pace, as well as a chilling new introduction that finally reveal
The original slasher film about Michael Myers, the psychotic killer who dons a mask and terrorizes his hometown, is re-imagined by edgy director Rob Zombie.More of a supercharged revamp than a remake, Rob Zombie's take on John Carpenter's Halloween expands the back story of masked killer Michael Myers in an attempt to examine the motivation for his first deadly attack, as well as some reasons for his longevity as a horror icon. Zombie's Myers is a blank-eyed teen (played by Daeg Faerch) wh! ose burgeoning mental problems are left unchecked in a horrific home environment; harassed by schoolmates, a randy sister, and his mother's deadbeat boyfriend (William Forsythe, terrific as usual), Myers' homicidal explosion seems inevitable, and intervention by Dr. Sam Loomis (Malcolm McDowell, who offers a fast-talking, hippiefied version of the Donald Pleasance character) does little to impede his development into a mute, unstoppable killing machine (Tyler Mane) bent on finishing off the only survivor of his family's massacre--his sister, now grown into teenaged Laurie Strode (Scout Taylor-Compton). Opening up the psychological motivation of a cipher like Michael Myers is an interesting approach, but Zombie's script possesses neither a depth of character nor dialogue to offer more than a clichéd thumbnail character sketch, and devoting over a hour of the unrated cut's 120-minute-plus running time to this history feels bloated and self-indulgent (especially when compared! to the lean efficiency of the Carpenter original). Zombie's Hallow een isn't terribly suspenseful, either; he has a keen eye for visuals and the details of chaotic environments, but his scares are nothing more than brutal showcases for his special effects team. The end result barely surpasses the original film's numerous sequels, though the Who's Who of cult and character actors in the cast (including Zombie regulars Sid Haig, Bill Moseley and Ken Foree, as well as Brad Dourif, Udo Kier, Clint Howard, Richard Lynch, Danny Trejo, Dee Wallace, and Danielle Harris) adds a touch of late-night monster movie charm. However, the film's best performance belongs to the director's spouse, Sheri Moon Zombie, who brings unexpected pathos to the role of Myers' downtrodden mother.

The two-disc Unrated Director's Cut offers a full disc's worth of extras that should please Zombie fans; chief among the supplemental features is his commentary, which details the film's shooting history and the numerous edits required to deliver the theatrical version! . A making-of featurette offers further details of Zombie's vision for the film, and there are featurettes on his cast choices and the many masks that Myers makes while incarcerated. Seventeen deleted scenes (two of which feature Adrienne Barbeau and Tom Towles) and an alternate ending (all with Zombie's commentary) are also provided, as well as footage from the casting sessions. A blooper reel, which is highlighted by unchecked mischief by McDowell and Dourif, offers the set's sole moment of levity. -- Paul GaitaRob Zombie (The Devil's Rejects), "modern American horror's most eccentric and surprising filmmaker," (Matt Zoller Seitz, New York Times) reinvents the ultimate slasher classic, unleashing Michael Myers for a bloody rollercoaster of a rampage like fans have never seen. Including a retelling of the original story that unfolds at a breakneck pace, as well as a chilling new introduction that finally reveals the secrets behind Myers' disturbing childhood, Hallow! een breathes new life into one of film history's most terrifyi! ng tales . "It will leave you speechless" (Spooky Dan, Bloody-Disgusting).More of a supercharged revamp than a remake, Rob Zombie's take on John Carpenter's Halloween expands the back story of masked killer Michael Myers in an attempt to examine the motivation for his first deadly attack, as well as some reasons for his longevity as a horror icon. Zombie's Myers is a blank-eyed teen (played by Daeg Faerch) whose burgeoning mental problems are left unchecked in a horrific home environment; harassed by schoolmates, a randy sister, and his mother's deadbeat boyfriend (William Forsythe, terrific as usual), Myers' homicidal explosion seems inevitable, and intervention by Dr. Sam Loomis (Malcolm McDowell, who offers a fast-talking, hippiefied version of the Donald Pleasance character) does little to impede his development into a mute, unstoppable killing machine (Tyler Mane) bent on finishing off the only survivor of his family's massacre--his sister, now grown into teenaged Laurie ! Strode (Scout Taylor-Compton). Opening up the psychological motivation of a cipher like Michael Myers is an interesting approach, but Zombie's script possesses neither a depth of character nor dialogue to offer more than a clichéd thumbnail character sketch, and devoting over a hour of the unrated cut's 120-minute-plus running time to this history feels bloated and self-indulgent (especially when compared to the lean efficiency of the Carpenter original). Zombie's Halloween isn't terribly suspenseful, either; he has a keen eye for visuals and the details of chaotic environments, but his scares are nothing more than brutal showcases for his special effects team. The end result barely surpasses the original film's numerous sequels, though the Who's Who of cult and character actors in the cast (including Zombie regulars Sid Haig, Bill Moseley and Ken Foree, as well as Brad Dourif, Udo Kier, Clint Howard, Richard Lynch, Danny Trejo, Dee Wallace, and Danielle Harris) add! s a touch of late-night monster movie charm. However, the film! 's best performance belongs to the director's spouse, Sheri Moon Zombie, who brings unexpected pathos to the role of Myers' downtrodden mother.

The two-disc Unrated Director's Cut offers a full disc's worth of extras that should please Zombie fans; chief among the supplemental features is his commentary, which details the film's shooting history and the numerous edits required to deliver the theatrical version. A making-of featurette offers further details of Zombie's vision for the film, and there are featurettes on his cast choices and the many masks that Myers makes while incarcerated. Seventeen deleted scenes (two of which feature Adrienne Barbeau and Tom Towles) and an alternate ending (all with Zombie's commentary) are also provided, as well as footage from the casting sessions. A blooper reel, which is highlighted by unchecked mischief by McDowell and Dourif, offers the set's sole moment of levity. -- Paul Gaita

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Friday, December 9, 2011

The Alphabet Killer

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  • A ten year old girl is found brutally murdered outside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan s return to the investigation also brings back her own horrific hallucination
Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothi! ng to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release o! f a fictionalised motion picture loosely based on the murders.! This fa ctual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.A ten year old girl is found brutally murdered ou! tside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan’s return to the investigation also brings back her own horrific hallucinations.  Even if she can prove a ‘double initial’ connection to the slayings, will she hang onto her sanity long enough to catch a psychopath? Cary Elwes (SAW), Michael Ironside (STARSHIP TROOPERS), Bill Moseley (THE DEVIL’S REJECTS), Carl Lumbly (ALIAS) and Academy Award® winner Timothy Hutton co-star in this chilling thriller directed by Rob Schmidt.In the spirit of suspense films and television shows that focus on the sleuth’s attempt to make something out of senseless violence, Alphabet Killer is less about the murders it details than about the detective,! Megan Paige (Eliza Dushku of Buffy the Vampire Slayer), who suffers mentally for studying brutality. Though opening scenes show young girls slayed at various wooded Rochester, New York crime scenes, the film quickly digresses into Megan’s stressed relationship with her co-detective lover, Kenneth Shine (Cary Elwes), who watches her obsession with the case spiral out of control. As murders continue, Megan gets psychic leads and is haunted by the ghosts of the wrongly deceased, but cannot solve the case. Megan’s diagnosis as a schizophrenic complicates matters greatly, and elevates the film into deeper story, especially when one senses, through subtle filmic clues, the creepiness of Megan’s therapist, Richard Ledge (Timothy Hutton). Some silly, dramatized enactments of mental illness on Dushku’s part do not help convince the viewer through fine acting, though one may be willing to look past this in hopes for pending potential spookiness. And the conundrum posed by Megan in her therapy group is engaging: manic peop! le do often excel due to intuition, yet it is their ability to experience the world differently that gets them into trouble. Although the ghosts hallucinations are unconvincing, and Dushku probably could have used more research before she took the role, Alphabet Killer captivates because it shows how convoluted layers of reality can confuse even the sharpest detective. The disturbing thing about Alphabet Killer is not the film itself but the idea behind it: that the majority of what we know and trust is illusory, and that truth is discovered best through madness. --Trinie Dalton

Stills from The Alphabet Killer (Click for larger image)



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