Sunday, September 18, 2011
Lonely Street
- LONELY STREET (DVD MOVIE)
Special Feature(s): Widescreen; Behind-the-scenes cast interviews; "Making of Elvis"; "When the Rebel Comes Home" music video; Three exclusive songs
ONCE UPON A TIME IN HIGH SCHOOL (IMPORT) Spirit of Jeet Kune Do Yoo Ha, Kwon Sang Woo, Lee Jung Jin, Han Ga In
- NTSC All Region Import
- Language: Korean and Thai
- Subtitles (removable): English and Thai
- Widescreen, DD 5.1 Surround
The increasing volume of data in modern business and science calls for more complex and sophisticated tools. Although advances in data mining technology have made extensive data collection much easier, itâs still always evolving and there is a constant need for new techniques and tools that can help us transform this data into useful information and knowledge.
Since the previous editionâs publication, great advances have been made in the field of data mining. Not only does the third of edition of Data Mining: Concepts and Techniques continue the tradition of equipping you with an understanding and application of the theory and practice of discovering patterns hidden in large data sets, it also focuses on new, important topics in the ! field: data warehouses and data cube technology, mining stream, mining social networks, and mining spatial, multimedia and other complex data. Each chapter is a stand-alone guide to a critical topic, presenting proven algorithms and sound implementations ready to be used directly or with strategic modification against live data. This is the resource you need if you want to apply todayâs most powerful data mining techniques to meet real business challenges.
* Presents dozens of algorithms and implementation examples, all in pseudo-code and suitable for use in real-world, large-scale data mining projects. * Addresses advanced topics such as mining object-relational databases, spatial databases, multimedia databases, time-series databases, text databases, the World Wide Web, and applications in several fields. *Provides a comprehensive, practical look at the concepts and techniques you need to get the most out of your data
The increasing! volume of data in modern business and science calls for more ! complex and sophisticated tools. Although advances in data mining technology have made extensive data collection much easier, it's still evolving and there is a constant need for new techniques and tools that can help us transform this data into useful information and knowledge.
Since the previous edition's publication, great advances have been made in the field of data mining. Not only does the third of edition of Data Mining: Concepts and Techniques continue the tradition of equipping you with an understanding and application of the theory and practice of discovering patterns hidden in large data sets, it also focuses on new, important topics in the field: data warehouses and data cube technology, mining stream, mining social networks, and mining spatial, multimedia and other complex data. Each chapter is a stand-alone guide to a critical topic, presenting proven algorithms and sound implementations ready to be used directly or with strategic modification agains! t live data. This is the resource you need if you want to apply today's most powerful data mining techniques to meet real business challenges.
- Presents dozens of algorithms and implementation examples, all in pseudo-code and suitable for use in real-world, large-scale data mining projects.
- Addresses advanced topics such as mining object-relational databases, spatial databases, multimedia databases, time-series databases, text databases, the World Wide Web, and applications in several fields.
- Provides a comprehensive, practical look at the concepts and techniques you need to get the most out of your data
Read a Sample Chapter from Data Mining: Concepts and Techniques
Read a sample chapter from Data Mining: Concepts and Techniques |
The increasing volume of data in modern business and science calls for more complex and sophisticated tools. Although advances in data mining technology have made extensive data collection much easier, itâs still always evolving and there is a constant need for new techniques and tools that can help us transform this data into useful information and knowledge.
Since the previous editionâs publication, great advances have been made in the field of data mining. Not only does the third of edition of Data Mining: Concepts and Techniques continue the tradition of equipping you with an understanding and application of the theory and practice of discovering patterns hidden in large data sets, it also focuses o! n new, important topics in the field: data warehouses and data cube technology, mining stream, mining social networks, and mining spatial, multimedia and other complex data. Each chapter is a stand-alone guide to a critical topic, presenting proven algorithms and sound implementations ready to be used directly or with strategic modification against live data. This is the resource you need if you want to apply todayâs most powerful data mining techniques to meet real business challenges.
* Presents dozens of algorithms and implementation examples, all in pseudo-code and suitable for use in real-world, large-scale data mining projects. * Addresses advanced topics such as mining object-relational databases, spatial databases, multimedia databases, time-series databases, text databases, the World Wide Web, and applications in several fields. *Provides a comprehensive, practical look at the concepts and techniques you need to get the most out of you! r data
Among other Southeast Asians, the Thais people stand! out for their thinking and their body language. If you stay here long enough, it can happen to you â" youâll become an honorary Thai, and gradually find yourself speaking pidgin English. In the provinces, you could join the voluntary work-gangs cleaning the toilets and weeding the flowerbeds at the local high school. In Thailand, the Doâs outweight the Donâts!This must-hand guide will help you realize that you Do want to consider adopting the mai pen rai attitude to life â" Donât cry over spilt milk. For the two-week visitor however, knowing what to do and what not to do is not an easy task. Take heads, hands and feet. A little girl sells you flowers so you tousle her hair -- big mistake. Heads are sacred, so Donât ever touch a personâs head without permission. Hands are meant to give and take, right hand only of course, so Donât touch and tickle with your hands. And Donât point with your feet while sitting. Donât show the soles of your feet, but Do! your shoes outside while visiting temples.
So you want a massage? This exciting travel book of all the Thailand Doâs and Donâts tells you just how to differentiate between traditional massage parlors and those offering, well, more forbidden fruit. The authors also tell you as a respectable visitor about town, Do remember how to behave so that your holiday is a memorable one without the hassles that can befall folks getting out and about
To ensure that you, the foreign resident, fleeting visitor or armchair traveler, enjoy your stay in Thailand, the authors present a light hearted but practical guide to the Doâs and Donâts of this very special country. DON'T be surprised if that pretty salesgirl on the perfume counter is a man. There's a place for everyone in Thai society. DO believe your eyes: yes, that roadside stall is selling deep fried grasshoppers and caterpillars. And yes, DO listen very hard to the whispering that passes for conversatio! n: Thais rarely raise their voices. Want to know what to more ! valuable Doâs and Donâts? Then DO buy this book.Among other Southeast Asians, the Thais people stand out for their thinking and their body language. If you stay here long enough, it can happen to you â" youâll become an honorary Thai, and gradually find yourself speaking pidgin English. In the provinces, you could join the voluntary work-gangs cleaning the toilets and weeding the flowerbeds at the local high school. In Thailand, the Doâs outweight the Donâts!
This must-hand guide will help you realize that you Do want to consider adopting the mai pen rai attitude to life â" Donât cry over spilt milk. For the two-week visitor however, knowing what to do and what not to do is not an easy task. Take heads, hands and feet. A little girl sells you flowers so you tousle her hair -- big mistake. Heads are sacred, so Donât ever touch a personâs head without permission. Hands are meant to give and take, right hand only of course, so Donât touch and tickle with! your hands. And Donât point with your feet while sitting. Donât show the soles of your feet, but Do your shoes outside while visiting temples.
So you want a massage? This exciting travel book of all the Thailand Doâs and Donâts tells you just how to differentiate between traditional massage parlors and those offering, well, more forbidden fruit. The authors also tell you as a respectable visitor about town, Do remember how to behave so that your holiday is a memorable one without the hassles that can befall folks getting out and about
To ensure that you, the foreign resident, fleeting visitor or armchair traveler, enjoy your stay in Thailand, the authors present a light hearted but practical guide to the Doâs and Donâts of this very special country. DON'T be surprised if that pretty salesgirl on the perfume counter is a man. There's a place for everyone in Thai society. DO believe your eyes: yes, that roadside stall is selling deep fried g! rasshoppers and caterpillars. And yes, DO listen very hard to ! the whis pering that passes for conversation: Thais rarely raise their voices. Want to know what to more valuable Doâs and Donâts? Then DO buy this book.
Drawing on original, in-depth interviews with political activists and large-scale survey data, author Hahrie C. Han contests the traditional idea that people must be politicized before they participate, and that only idiosyncratic factors outside the control of the political system can drive motivation. Her findings show that that highly personal commitments! , such as the quality of children's education or the desire to help a friend, have a disproportionately large impact in motivating political participation among people with fewer resources. Han makes the case that civic and political organizations can lay the foundation for greater citizen participation by helping people recognize the connections between their personal commitments and politics.
Saturday, September 17, 2011
Korean Tv Series " Snow in August "
- Korean Drama
- Korean TV Series
Isabeli Fontana Celebrity Supermodel Canvas Art Canvas Print Picture print Size: (50" x 36")
- Size:50" x 36" (125cm x 90 cm Approx)
- Framed on a 40mm (4cm) Chunky Canvas Stretcher Frame
- Lifetime Fade Resistant - Printed Using the Highest 12 Colour Canon Printers
- Printed on the highest quality canvas with self tensioning frame wedges
- Produced by the UK's largest supplier. Shipped to you with 48 - 72hours
Parent Guide to Hassle-Free Homework: Proven Practices that Work-from Experts in the Field
- Made with the Best Quality Material with your child in mind.
- Top Quality Children's Item.
Hindu nationalism has been responsible for acts of extreme violence against religious minorities and is a dominant force on the sociopolitical landscape of contemporary India. How does such a violent and exclusionary movement recruit supporters? How do members navigate the tensions between the normative prescriptions of such movements and competing ideologies?
To understand the expansionary power of Hindu nationalism, Kalyani Menon argues, it is critical to examine the everyday constructions of politics and ideology through which activists garner support at the grassroots level. Based on fieldwork with women in several Hindu nationalist organizations, Menon explores how these! activists use gendered constructions of religion, history, na! tional i nsecurity, and social responsibility to recruit individuals from a variety of backgrounds. As Hindu nationalism extends its reach to appeal to increasingly diverse groups, she explains, it is forced to acknowledge a multiplicity of positions within the movement. She argues that Hindu nationalism's willingness to accommodate dissonance is central to understanding the popularity of the movement.
Everyday Nationalism contends that the Hindu nationalist movement's power to attract and maintain constituencies with incongruous beliefs and practices is key to its growth. The book reveals that the movement's success is facilitated by its ability to become meaningful in people's daily lives, resonating with their constructions of the past, appealing to their fears in the present, presenting itself as the protector of the country's citizens, and inventing traditions through the use of Hindu texts, symbols, and rituals to unite people in a sense of belonging to a nati! on.
Friday, September 16, 2011
JODIE MARSH 20X24 COLOR PHOTO
- Description: High Quality real photograph printed on Fuji Paper.
- Size: 20X24 inches
These Old Broads
- languages english, french
- approx 89 minutes
- dolby surround sound
- isbn 1435982010
As for the story that's earning such loyalty: it's a whip-smart conversation between Stella, a vivacious, aspiring writer and Bohemian eco-activist, and Edward Prain, a refined connoisseur of the rare books on hand in Stella's fusty London bookstall.
While Prain is mysteriously aloof about his background, Stella finds his insights into art more and more stimulating, until one rainy afternoon she makes a surprising discovery: Prain is the head of England's most prestigious publishing house and a leading collector of art. And now, he would like! her to come to tea at his country estate . . . to discuss her writing.
Stella is too intrigued to say no. Yet their cat-and-mouse game only intensifies at his sumptuous estate, where she finds herself engaged in an increasingly devilish conversation on the making of art, the selling of art, and the protection of self until Prain reveals that he knows more about her past than he has ever let on. . . .Debbie Reynolds's daughter--Carrie Fisher, a noted Hollywood script doctor--cowrote this television movie as a sort of Grumpy Old Women, so the story goes. Viewed in that light, this 91-minute lark is entertaining, if frequently inane. It's the story of the professional reunion of three feuding costars (Reynolds, Shirley MacLaine, Joan Collins) after their '60s musical becomes a cult hit decades later. The fun part is the skewering of their real lives that these actresses good-humoredly allow. Reynolds plays a Vegas casino-owning diva who showcases her own talent! and allows her dolt of a husband to run the business side of ! things-- a state of affairs not too different from her real Vegas days. MacLaine offers a comic version of her legendary spiritual persona with such zingers as "My inner child is having such a tantrum." And Joan Collins makes fun of her choice of men with a mobster boyfriend instead of that litigious young husband of some years back. Elizabeth Taylor makes a goofy cameo appearance as the actresses' agent, and Fisher has a lot of fun staging a verbal catfight between the agent and Reynolds over a man named Freddie. (In real life Liz infamously stole Carrie's dad, Eddie Fisher, from then wife Debbie.) All pretty good. But why the framing with MacLaine's "adopted" son, inhabited by the unfunny Jonathan Silverman; and why the too-broadly caricatured producer? Only the daughter knows. --Kimberly HeinrichsOverlooked by critics on its initial release in 2006, this erotically charged mystery has nonetheless continued to develop such a following among booksellers that Melville House ha! s decided to re-release it in a stunning new package.
As for the story that's earning such loyalty: it's a whip-smart conversation between Stella, a vivacious, aspiring writer and Bohemian eco-activist, and Edward Prain, a refined connoisseur of the rare books on hand in Stella's fusty London bookstall.
While Prain is mysteriously aloof about his background, Stella finds his insights into art more and more stimulating, until one rainy afternoon she makes a surprising discovery: Prain is the head of England's most prestigious publishing house and a leading collector of art. And now, he would like her to come to tea at his country estate . . . to discuss her writing.
Stella is too intrigued to say no. Yet their cat-and-mouse game only intensifies at his sumptuous estate, where she finds herself engaged in an increasingly devilish conversation on the making of art, the selling of art, and the protection of self until Prain reveals that he kn! ows more about her past than he has ever let on. . . .Overlook! ed by cr itics on its initial release in 2006, this erotically charged mystery has nonetheless continued to develop such a following among booksellers that Melville House has decided to re-release it in a stunning new package.
As for the story that's earning such loyalty: it's a whip-smart conversation between Stella, a vivacious, aspiring writer and Bohemian eco-activist, and Edward Prain, a refined connoisseur of the rare books on hand in Stella's fusty London bookstall.
While Prain is mysteriously aloof about his background, Stella finds his insights into art more and more stimulating, until one rainy afternoon she makes a surprising discovery: Prain is the head of England's most prestigious publishing house and a leading collector of art. And now, he would like her to come to tea at his country estate . . . to discuss her writing.
Stella is too intrigued to say no. Yet their cat-and-mouse game only intensifies at his sumptuous estate, where she! finds herself engaged in an increasingly devilish conversation on the making of art, the selling of art, and the protection of self until Prain reveals that he knows more about her past than he has ever let on. . . .After their '60s movie becomes a revival hit, three aging movie stars (Oscar winner Shirley MacLaine, Oscar nominee Debbie Reynolds and Joan Collins) are given a chance to join forces for a one-time televised concert, if they can overcome their long-standing animosity toward one another. Even when a legendary agent (Oscar winner Elizabeth Taylor) achieves the seemingly impossible task of getting the three to agree to the concert, the producers, worries aren't over. The drama has only just begun!Debbie Reynolds's daughter--Carrie Fisher, a noted Hollywood script doctor--cowrote this television movie as a sort of Grumpy Old Women, so the story goes. Viewed in that light, this 91-minute lark is entertaining, if frequently inane. It's the story of the profes! sional reunion of three feuding costars (Reynolds, Shirley Mac! Laine, J oan Collins) after their '60s musical becomes a cult hit decades later. The fun part is the skewering of their real lives that these actresses good-humoredly allow. Reynolds plays a Vegas casino-owning diva who showcases her own talent and allows her dolt of a husband to run the business side of things--a state of affairs not too different from her real Vegas days. MacLaine offers a comic version of her legendary spiritual persona with such zingers as "My inner child is having such a tantrum." And Joan Collins makes fun of her choice of men with a mobster boyfriend instead of that litigious young husband of some years back. Elizabeth Taylor makes a goofy cameo appearance as the actresses' agent, and Fisher has a lot of fun staging a verbal catfight between the agent and Reynolds over a man named Freddie. (In real life Liz infamously stole Carrie's dad, Eddie Fisher, from then wife Debbie.) All pretty good. But why the framing with MacLaine's "adopted" son, inhabited by the u! nfunny Jonathan Silverman; and why the too-broadly caricatured producer? Only the daughter knows. --Kimberly Heinrichs

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